Difference between revisions of "The Hot Mikado (2007)"
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− | [[Image:hotmikado.jpg|thumb|300px|Poster by [[ | + | [[Image:hotmikado.jpg|thumb|300px|Poster by [[Matt Ross]]]] |
+ | |||
+ | by [[David H Bell]] | ||
+ | |||
+ | Music adapted and arranged by [[Rob Bowman]], from ''The Mikado'' by [[W.S. Gilbert]] and [[Arthur Sullivan]] | ||
+ | |||
− | |||
Directed by [[Heather French]] | Directed by [[Heather French]] | ||
Line 9: | Line 13: | ||
== Introduction == | == Introduction == | ||
+ | Gilbert and Sullivan's The Mikado was originally intended to poke fun at England's Victorian bourgeoisie, who had seized on a fad for all things Japanese. Bowman and Bell took this tale and essentially created a spoof within a spoof. | ||
− | + | The Hot Mikado therefore tells the same story... that of the minstrel Nanki-Poo, who arrives in the town of Titipu in search of the girl of his dreams, Yum-Yum. Meanwhile, Yum-Yum's guardian the tailor-turned-Lord High Executioner, Ko-Ko is under pressure from the bloodthirsty ruler of the land, the Mikado, to execute somebody within the next month. Simply because he enjoys a good bit of execution. | |
+ | |||
+ | Nanki-Poo is so infatuated with his sweetheart that he agrees to have his head cut off in exchange for one month of wedded bliss with Yum-Yum. The deal means that Ko-Ko can then claim her as his own bride once Nanki-Poo is dead and gone. This extraordinary plan then takes another twist when the Mikado makes a surprise visit to Titipu. | ||
+ | |||
+ | Confused? You may be. But the real twist in the tale is Bowman and Bell's amazing, 1940s-style swing interpretation of this classic piece of theatre. | ||
== Cast == | == Cast == | ||
Line 20: | Line 29: | ||
*Ko Ko - [[Stuart Draper]] | *Ko Ko - [[Stuart Draper]] | ||
*Yum Yum - [[Caroline Webb]] | *Yum Yum - [[Caroline Webb]] | ||
− | *Pitti Sing - [[Seren Edwards]] | + | *Pitti-Sing - [[Seren Edwards]] |
− | *Peep Bo - [[Emma Wilson]] | + | *Peep-Bo - [[Emma Wilson]] |
*Katisha - [[Suzanne Wooder]] | *Katisha - [[Suzanne Wooder]] | ||
− | ===(Male Company) | + | |
+ | ===Gentleman of Japan (Male Company)=== | ||
*Neiru - [[Neil Carmichael]] | *Neiru - [[Neil Carmichael]] | ||
− | *Kebinu - [[Kevin | + | *Kebinu - [[Kevin Leech]] |
− | ===(Female Company) | + | ===Ladies of Japan (Female Company)=== |
− | + | ||
*Uookku - [[Anna York]] | *Uookku - [[Anna York]] | ||
− | *Rooen - [[ | + | *Rooen - [[Lauren Senatore]] |
*Sonpusan - [[Lidia Siemaszkiewicz]] | *Sonpusan - [[Lidia Siemaszkiewicz]] | ||
*Rooa - [[Laura Stanton]] | *Rooa - [[Laura Stanton]] | ||
− | *Ridya - [[Michelle | + | *Ridya - [[Michelle Thomson]] |
− | + | ||
− | + | ||
*Rerisa - [[Ruth Huggett]] | *Rerisa - [[Ruth Huggett]] | ||
Line 41: | Line 48: | ||
*Doiaru - [[Shona Doyle]] | *Doiaru - [[Shona Doyle]] | ||
*Arisu - [[Alice Lowe]] | *Arisu - [[Alice Lowe]] | ||
− | * | + | |
+ | == Swing Dancers== | ||
+ | [[Connor Farrin]], [[Constance Gibbs]], [[Vicki Keyte]], [[Ruby Pucell]], | ||
+ | [[Zoe Smith]], [[Grace White]] | ||
+ | |||
+ | == Band == | ||
+ | * [[Jonathon Geyevu]] - Keyboards | ||
+ | * [[Andy Finney]] - Drums | ||
+ | * [[Hannah Morgan]] - Flute | ||
==Designers== | ==Designers== | ||
− | *Lighting Design - [[Mike | + | *Lighting Design - [[Mike Elliott]] |
*Sound Design - [[Gerard Johnson]] | *Sound Design - [[Gerard Johnson]] | ||
*Set Design - [[Chaz Doyle]] | *Set Design - [[Chaz Doyle]] | ||
− | |||
+ | == Crew == | ||
+ | |||
+ | *Assistant Directors - [[Emma Wilson]] and [[Seren Edwards]] | ||
*Stage Manager - [[Graham Clements]] | *Stage Manager - [[Graham Clements]] | ||
− | *Assistant Stage | + | *Assistant Stage Managers - [[Lauri Morgan]] and [[Deirdre Parkes]] |
− | *Lighting Operator - [[ | + | *Lighting Operator - [[Induja Bandara]] |
− | *Sound | + | *Sound Advisor - [[Gerard Johnson]] |
− | * | + | *Sound Operators - [[Lee Ridgeway]] and [[Rachael Lovegrove]] |
*Musical Director - [[Hannah Morgan]] | *Musical Director - [[Hannah Morgan]] | ||
*Vocal Director - [[Alan Walker]] | *Vocal Director - [[Alan Walker]] | ||
+ | *Costume Team Leader - [[Jennifer French]] | ||
+ | *Creative Team - [[Hazel Hindle]], [[Caroline Doyle]] and [[Hans Mudlamootoo]] | ||
+ | *Backstage Team - [[Caroline Durant]], [[Alison Dale]] and [[Marie-Clair Goswell]] | ||
+ | *Programme Design - [[Simon Holland]] | ||
+ | *Graphics - [[Matt Ross]] | ||
+ | *Construction Team - [[Mike Elliott]], [[Graham Clements]], [[Gavin Parker]] and [[Anna York]] | ||
== Reviews == | == Reviews == | ||
Line 82: | Line 105: | ||
*[http://www.someplace.com/thisplay This play on the web] | *[http://www.someplace.com/thisplay This play on the web] | ||
− | [[Category:Productions]] | + | [[Category:Productions|Hot Mikado, The]] |
− | [[Category:Bell Theatre Productions]] | + | [[Category:Bell Theatre Productions|Hot Mikado, The]] |
− | [[Category:Gala Productions]] | + | [[Category:Gala Productions|Hot Mikado, The]] |
+ | [[Category:Musical Theatre and Revue|Hot Mikado, The]] |
Latest revision as of 15:06, 7 August 2009
by David H Bell
Music adapted and arranged by Rob Bowman, from The Mikado by W.S. Gilbert and Arthur Sullivan
Directed by Heather French
Performances: Tue 3rd – Sat 7th July 2007, Bell Theatre
Contents
Introduction
Gilbert and Sullivan's The Mikado was originally intended to poke fun at England's Victorian bourgeoisie, who had seized on a fad for all things Japanese. Bowman and Bell took this tale and essentially created a spoof within a spoof.
The Hot Mikado therefore tells the same story... that of the minstrel Nanki-Poo, who arrives in the town of Titipu in search of the girl of his dreams, Yum-Yum. Meanwhile, Yum-Yum's guardian the tailor-turned-Lord High Executioner, Ko-Ko is under pressure from the bloodthirsty ruler of the land, the Mikado, to execute somebody within the next month. Simply because he enjoys a good bit of execution.
Nanki-Poo is so infatuated with his sweetheart that he agrees to have his head cut off in exchange for one month of wedded bliss with Yum-Yum. The deal means that Ko-Ko can then claim her as his own bride once Nanki-Poo is dead and gone. This extraordinary plan then takes another twist when the Mikado makes a surprise visit to Titipu.
Confused? You may be. But the real twist in the tale is Bowman and Bell's amazing, 1940s-style swing interpretation of this classic piece of theatre.
Cast
- The Mikado - Bob Callender
- Nanki Poo - Declan Doyle
- Pish Tush - James Hough
- Pooh Bah - Sean Chapman
- Ko Ko - Stuart Draper
- Yum Yum - Caroline Webb
- Pitti-Sing - Seren Edwards
- Peep-Bo - Emma Wilson
- Katisha - Suzanne Wooder
Gentleman of Japan (Male Company)
- Neiru - Neil Carmichael
- Kebinu - Kevin Leech
Ladies of Japan (Female Company)
- Uookku - Anna York
- Rooen - Lauren Senatore
- Sonpusan - Lidia Siemaszkiewicz
- Rooa - Laura Stanton
- Ridya - Michelle Thomson
- Rerisa - Ruth Huggett
Ensemble
- Doiaru - Shona Doyle
- Arisu - Alice Lowe
Swing Dancers
Connor Farrin, Constance Gibbs, Vicki Keyte, Ruby Pucell, Zoe Smith, Grace White
Band
- Jonathon Geyevu - Keyboards
- Andy Finney - Drums
- Hannah Morgan - Flute
Designers
- Lighting Design - Mike Elliott
- Sound Design - Gerard Johnson
- Set Design - Chaz Doyle
Crew
- Assistant Directors - Emma Wilson and Seren Edwards
- Stage Manager - Graham Clements
- Assistant Stage Managers - Lauri Morgan and Deirdre Parkes
- Lighting Operator - Induja Bandara
- Sound Advisor - Gerard Johnson
- Sound Operators - Lee Ridgeway and Rachael Lovegrove
- Musical Director - Hannah Morgan
- Vocal Director - Alan Walker
- Costume Team Leader - Jennifer French
- Creative Team - Hazel Hindle, Caroline Doyle and Hans Mudlamootoo
- Backstage Team - Caroline Durant, Alison Dale and Marie-Clair Goswell
- Programme Design - Simon Holland
- Graphics - Matt Ross
- Construction Team - Mike Elliott, Graham Clements, Gavin Parker and Anna York
Reviews
Some review quotes go here
Gallery
Photo thumbnails go here with links to larger images.
Reminiscences and Anecdotes
- If the script didn't have an official name for a character, for example "Gent 1", different combinations of the actors real names were fed though a Japanese translator to give them character names.
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.