Difference between revisions of "Hamp (2003)"
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== Crew == | == Crew == | ||
− | *Stage Manager - [[ | + | *Stage Manager - [[Jess Osorio]] |
− | *Lighting Design - [[ | + | *Assistant Stage Managers - [[Marie Cottee]] & [[Paul Cottee]] |
− | *Lighting Operator - [[ | + | *Lighting Design - [[Stuart Draper]] |
+ | *Lighting Operator - [[Peter Medd]] | ||
+ | *Sound Design - [[Chris Vian-Smith]] | ||
+ | *Sound Operatprs - [[Chris Vian-Smith]] & [[Bob Callender]] | ||
== Reviews == | == Reviews == |
Revision as of 12:56, 19 August 2009
by John Wilson
Directed by Liam Campbell
Performances: Tue 4th – Sat 8th February 2003, Bell Theatre
Contents
Introduction
Private Arthur Hamp 873426 is a nobody. He's nothing special as a soldier, he just is. So when Private Hamp decides he's had enough, he can't take anymore, why can't the establishment accept this?
It's 1917, the battle of Passchendaele has been raging for months, one soldier has reached his breaking point. Is shellshock a crime, is it even recognised as an illness?
These thought provoking questions are asked in John Wilson's powerful and insightful script.
Cast
- Private Arthur Hamp - Peter Fortune
- Corporal of the Guard - Terry Millard
- Private Williams - James Paterson
- Private Hennesy - Jay Michaels
- Lance Corporal Lynch - Paul Fortune
- Lt William Hargreaves - Matt Bartlett
- Lt Tom Webb - Paul Hurley
- President of the Court - Chris Bennett
- Major Banner - Richard Watkins
- Captain Hitchfield - Peter Loftus
- Captain Wilkins - Malcolm Woodman
- Captain Prescott - Chris Loft
- Prosecuting Officer Cpt Midgley - Duncan Hart
- Pardre - Stuart Draper
- Medical Officer Cpt O'Sullivan - Jack King
- Regimental Sergeant Major - Mike Smart
- Field Marshall Douglas Haig - Lionel Monks
Crew
- Stage Manager - Jess Osorio
- Assistant Stage Managers - Marie Cottee & Paul Cottee
- Lighting Design - Stuart Draper
- Lighting Operator - Peter Medd
- Sound Design - Chris Vian-Smith
- Sound Operatprs - Chris Vian-Smith & Bob Callender
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.