Difference between revisions of "Bloody Poetry (1995)"
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*Percy Bysshe Shelley - [[Dave Coventon]] | *Percy Bysshe Shelley - [[Dave Coventon]] | ||
| − | *Mary Godwin/Shelley - [[ | + | *Mary Godwin/Shelley - [[Janet Rachel]] |
*Claire Claremont - [[Kim Styles]] | *Claire Claremont - [[Kim Styles]] | ||
*George, Lord Byron - [[Robert Silver]] | *George, Lord Byron - [[Robert Silver]] | ||
Latest revision as of 16:25, 12 February 2010
Directed by Peter Medd
Performances: Fri 21st – Sun 23rd July 1995, Prompt Corner
Contents
Introduction
The summer of 1816: the detritus of war still litters the field of Waterloo. Lord Byron's Napoleonic coach pauses briefly there on his exile from scandal. Hot on his heels another coach bears Shelley, his lover Mary (soon to be the author for 'Frankenstein') and Byron's discarded mistress Claire, carrying Byron's child. the England they have left far behind seethes with revolution, shortly to climax with the massacre at Peterloo, and Shelley's first wife Harriet drowns herself in the Serpentine. Her ghost sits on Shelley's shoulder as the foursome settle on the shores of Lake Geneva, hoping with rhythm and rhyme to make a new world, free from Hypocrisy and constraint, spied on with envy and repugnance by Byron's physician Polidori.
Brenton calls his play "a celebration of a magnificent failure", and its complex themes of political and sexual liberation, of creation and responsibility, echo the England of a later age, when Brenton himself must have played with life and words and their possibilities.
(From programme note)
Cast
- Percy Bysshe Shelley - Dave Coventon
- Mary Godwin/Shelley - Janet Rachel
- Claire Claremont - Kim Styles
- George, Lord Byron - Robert Silver
- Dr William Polidori - Joe Whitehouse
- Harriet Westbrook - Lorraine Spenceley
- Italian Lady - Cindi Savage
Crew
- Lighting Design - Keefe Browning
- Lighting Operator - Tom Williams
- Sound Operator - Robert Stocks
- Wardrobe/Props - Val Williams
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
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