Difference between revisions of "Five Women (2012)"
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[[Image:5women.jpg|thumb|300px|Poster by [[Poster Designer]]]] | [[Image:5women.jpg|thumb|300px|Poster by [[Poster Designer]]]] | ||
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| − | * | + | *Janie Preston - [[Margaret Glenn]] |
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| − | * | + | *Diane Richards - [[Natalie Allison]] |
| + | *Miss McDonald - [[Sue Jacobsen]] | ||
| + | *Millie Jackson - [[Anita Onwuegbuzie]] | ||
== Crew == | == Crew == | ||
Revision as of 19:05, 4 December 2011
by Tony Parker
Performances: 8pm, Tue 24th January – Sat 1st February 2012, Prompt Corner
Contents
Introduction
On a cold spring morning in 1963 five women came out of Holloway Prison.
Loveable, diminutive Diane Richards, from Ireland, 24, Forgery
Joe Bishop, donkey jacketed lesbian drug addict from London, 30, Burglary
Soft spoken, genteel Miss McDonald, Edinburgh, 40, Fraud
dour, bitter, Janie Preston, Lancashire, 60, Larceny
and spirited optimistic 17 year old Millie, Black, for running away from a children's home
Each of these women agreed to give their life story to an unassuming writer, Tony Parker who would become famous not only for his books on criminals but also lighthouse keepers, striking miners, and Studs Terker. He was also a prolific writer for TV (Z-cars, Softly Softly, Juliet Bravo etc). In the 60s The BBC commissioned Five Women as Play For Today, but suddenly dropped it, apparently worried that the public would be unable to distinguish fact from fiction. A row between artists and management ensued in the Radio Times until a cut version was eventually screened in 1969. Perhaps the controversy was less to do with the question 'is it art' (Parker's work undoubtedly is), than the difficulty of hearing about real women living less than ideal lives. Our version of this play will be devised from the original text into five monologues.
Cast
- Janie Preston - Margaret Glenn
- Joe Bishop - Hayley Conick
- Diane Richards - Natalie Allison
- Miss McDonald - Sue Jacobsen
- Millie Jackson - Anita Onwuegbuzie
Crew
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
