Difference between revisions of "New Directors' Showcase (2004)"

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[[Image:NewDirectors2004Poster.jpg|thumb|300px|Poster by [[Maria Bates]]]]
 
[[Image:NewDirectors2004Poster.jpg|thumb|300px|Poster by [[Maria Bates]]]]
  
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Performances: Tue 2nd to Sat 6th March [[2007]], [[Bell Theatre]]
+
Performances: Tue 2nd to Sat 6th March [[2004]], [[Bell Theatre]]
  
 
The New Directors' Showcase featured three very different pieces by some of the most talented and respected playwrights of recent years.
 
The New Directors' Showcase featured three very different pieces by some of the most talented and respected playwrights of recent years.
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"One For The Road" is short, sharp and disturbing - a pitch-black fantasy of power abuse within a carefully unnamed police state. It seems to have important echoes of real life situations from many countries and eras, from modern day Iraq to Soviet Russia, from Apartheid South Africa to Belfast. An all-powerful interrogator, who claims to talk on behalf of God and who knows personally the man who runs the country, interviews in turn a young husband and wife and their seven-year old son who are held as helpless prisoners within the system. The play is intensely dramatic and written with extraordinary power.
 
"One For The Road" is short, sharp and disturbing - a pitch-black fantasy of power abuse within a carefully unnamed police state. It seems to have important echoes of real life situations from many countries and eras, from modern day Iraq to Soviet Russia, from Apartheid South Africa to Belfast. An all-powerful interrogator, who claims to talk on behalf of God and who knows personally the man who runs the country, interviews in turn a young husband and wife and their seven-year old son who are held as helpless prisoners within the system. The play is intensely dramatic and written with extraordinary power.
  
−
Harold Pinter was inspired to create it in a state of white hot indignation in the mid 80’s, after meeting at a party "two extremely attractive and intelligent young Turkish women, who seemed casually indifferent to the use of torture in their country, and the pain and anger are all too evident. Yes, it is upsetting at times, but it's also a timeless and very persuasive condemnation of human rights abuses and an exciting challenge for both its actors and its director.
+
Harold Pinter was inspired to create it in a state of white hot indignation in the mid 80s, after meeting at a party "two extremely attractive and intelligent young Turkish women, who seemed casually indifferent to the use of torture in their country, and the pain and anger are all too evident. Yes, it is upsetting at times, but it's also a timeless and very persuasive condemnation of human rights abuses and an exciting challenge for both its actors and its director."
  
 
=== Cast ===
 
=== Cast ===
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On a park bench, overlooking a lake, two elderly gentlemen discuss the matters of life, death and ducks in the form of 14 variations. Their hilarious discourse is framed by the universal scene of two people setting the world to rights with all the odd twists and turns a conversation may take.
 
On a park bench, overlooking a lake, two elderly gentlemen discuss the matters of life, death and ducks in the form of 14 variations. Their hilarious discourse is framed by the universal scene of two people setting the world to rights with all the odd twists and turns a conversation may take.
  
−
This lovely little divertissement, depicts these two gentlemen as cyphers and yet.. They are something more and something less than two old men. We know very little about them but that of which they represent. Waiting for Godot or Waiting for God? The never ending chase for that elusive duck, that elusive something. Not forgetting this is an incredibly funny play and beautifully deconstructs the notion of what is theatre, how a play should be written.
+
This lovely little divertissement depicts these two gentlemen as cyphers and yet... They are something more and something less than two old men. We know very little about them but that of which they represent. Waiting for Godot or Waiting for God? The never-ending chase for that elusive duck, that elusive something. Not forgetting this is an incredibly funny play and beautifully deconstructs the notion of what is theatre, how a play should be written.
  
 
=== Cast ===
 
=== Cast ===
 
*Emil Vare - [[Peter Medd]]
 
*Emil Vare - [[Peter Medd]]
 
*George S. Aronovitz - [[John Lyne]]
 
*George S. Aronovitz - [[John Lyne]]
 +
 +
== Gallery ==
 +
 +
<gallery widths="300px" heights="300px" perrow="4">
 +
Image:DuckVariations001.jpg
 +
 +
</gallery>
  
 
==Green Forms==
 
==Green Forms==
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=== One For The Road ===
 
=== One For The Road ===
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* Production Assistant - [[Beth Smith]]
 +
* Stage Manager - [[Graham Clements]]
 +
* Set Design - [[Mark Bullock]]
 +
* Set Construction - [[Mark Bullock]], [[Mike Elliott]], [[Lisa Marsh]], [[Graham Clements]]
 +
* Lighting Design - [[Mike Elliott]]
 +
* Sound Design - [[Paul Hurley]]
 +
* Lighting/Sound Operators - [[James Little]], [[Liam Dorrity]], [[Shea Ross]]
 +
* Costumes - [[Marie Hull]]
 +
* Props - [[Alan Buckman]], [[Graham Clements]]
 +
* Poster Design - [[Will Howard]], [[Steve Ellis]]
 +
* Special thanks to [[Emma Connolly]], [[Marie Hull]], [[Stuart Flitton]], [[Pauline Tilbury]], [[Alistair Hannah]], [[Jack King]], [[Elinor Morgan-Jones]], [[Anton Krause]]
 +
 +
=== The Duck Variations ===
 +
* Rehearsal Assistant/Prompt - [[Vivien Davidhazy]]
 +
* Stage Manager - [[Emma Wilson]]
 +
* Prompt - [[Graham Clements]]
 +
* Set Design - [[Emma Connolly]]
 +
* Lighting Design - [[Mike Elliott]]
 +
* Sound Design - [[Emma Connolly]], [[Andrew Rickinson]]
 +
* Lighting/Sound Operators - [[James Little]], [[Liam Dorrity]], [[Shea Ross]]
 +
* Costumes - [[Mira Gogova]]
 +
* Props - [[Emma Connolly]], [[Emma Wilson]]
 +
* Duck Variations Image - [[Emma Connolly]]
 +
* New Directors' poster - [[Will Howard]]
 +
 +
Special thanks to: [[Steve Marchant]], [[Panni Davidhazy]], [[Jenny Gammon]], [[Shirley Heath]], [[Elaine Heath]], [[Robert Cooke]], [[Elinor Morgan-Jones]], [[Jack King]], [[Anton Krause]], [[Lisa Marsh]], [[Beth Smith]], [[Dee Fancett]], [[Estelle Burfoot Reed]],
 +
[[Mark Samuels]], [[Alan Buckman]], [[Tim Hinchliffe]], [[Mark Bullock]] and Samuel French Ltd.
 +
 +
=== Green Forms ===
 +
* PA - [[Paul Fortune]]
 +
* Stage Manager - [[Emma Wilson]]
 +
* Set Design - [[Marie Hull]], [[Anton Krause]], [[Mike Elliott]], [[Mark Bullock]]
 +
* Set build - [[Mike Elliott]], [[Marie Hull]], [[Mark Bullock]], [[Emma Wilson]], [[Sophie Elliott]], [[Graham Clements]]
 +
* Lighting Design - [[Mike Elliott]]
 +
* Sound Design - [[Paul Hurley]]
 +
* Lighting/Sound Operators - [[James Little]], [[Liam Dorrity]], [[Shea Ross]]
 +
* Costume Design - [[Marie Hull]]
 +
* Hair Design - [[Jay Michaels]]
 +
* Props - [[Emma Wilson]], [[Sophie Elliott]]
 +
 +
Thank you to [[Jack King]] for lessons in the art of delegation.
  
 
== Reviews ==
 
== Reviews ==

Latest revision as of 16:33, 2 February 2013

Poster by Maria Bates

Performances: Tue 2nd to Sat 6th March 2004, Bell Theatre

The New Directors' Showcase featured three very different pieces by some of the most talented and respected playwrights of recent years.

One For The Road

By Harold Pinter

Directed by David Lomas


Introduction

"One For The Road" is short, sharp and disturbing - a pitch-black fantasy of power abuse within a carefully unnamed police state. It seems to have important echoes of real life situations from many countries and eras, from modern day Iraq to Soviet Russia, from Apartheid South Africa to Belfast. An all-powerful interrogator, who claims to talk on behalf of God and who knows personally the man who runs the country, interviews in turn a young husband and wife and their seven-year old son who are held as helpless prisoners within the system. The play is intensely dramatic and written with extraordinary power.

Harold Pinter was inspired to create it in a state of white hot indignation in the mid 80s, after meeting at a party "two extremely attractive and intelligent young Turkish women, who seemed casually indifferent to the use of torture in their country, and the pain and anger are all too evident. Yes, it is upsetting at times, but it's also a timeless and very persuasive condemnation of human rights abuses and an exciting challenge for both its actors and its director."

Cast

The Duck Variations

By David Mamet

Directed by Emma Connolly


Introduction

On a park bench, overlooking a lake, two elderly gentlemen discuss the matters of life, death and ducks in the form of 14 variations. Their hilarious discourse is framed by the universal scene of two people setting the world to rights with all the odd twists and turns a conversation may take.

This lovely little divertissement depicts these two gentlemen as cyphers and yet... They are something more and something less than two old men. We know very little about them but that of which they represent. Waiting for Godot or Waiting for God? The never-ending chase for that elusive duck, that elusive something. Not forgetting this is an incredibly funny play and beautifully deconstructs the notion of what is theatre, how a play should be written.

Cast

Gallery

  • DuckVariations001.jpg

Green Forms

By Alan Bennett

Directed by Marie Hull


Introduction

Set in a time before the computer completely took over the workplace. The more paper you have the more efficient and busy you are. The world of downsizing and rationalisation is about to rear its ugly head in a little office somewhere in North Yorkshire.

Doris and Doreen are comfortably installed in an obscure department of a large organisation. It is a cushy little number: on a normal day the girls keep busy by flirting with nice Mr Titmuss in Appointments or pursuing their bitter feud (over a wash-basin plug) with Mr Cunliffe in Personnel. Work is nowhere. However, this is not a normal day and slowly Doris and Doreen realise that someone elsewhere in the organisation has his (or her) eye on them. A shadow falls across their tranquil lives. Is it redundancy?

Who is Dorothy Binns? Can the Union help?

Cast

Crew for all three plays

One For The Road

The Duck Variations

Special thanks to: Steve Marchant, Panni Davidhazy, Jenny Gammon, Shirley Heath, Elaine Heath, Robert Cooke, Elinor Morgan-Jones, Jack King, Anton Krause, Lisa Marsh, Beth Smith, Dee Fancett, Estelle Burfoot Reed, Mark Samuels, Alan Buckman, Tim Hinchliffe, Mark Bullock and Samuel French Ltd.

Green Forms

Thank you to Jack King for lessons in the art of delegation.

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

References

External Links

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