Difference between revisions of "Birds Still Fly (2013)"
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− | [[Image: | + | [[Image:overthetop.jpg|thumb|300px|Poster by [[Chris Green]]]] |
− | by [[Rodney | + | by [[Rodney Quinn]] |
[[Director|Directed]] by [[Chaz Doyle]] & [[Rodney Quinn]] | [[Director|Directed]] by [[Chaz Doyle]] & [[Rodney Quinn]] | ||
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− | * Eda - [[Kelly-Kim Cranstoun]] | + | * Eda - [[Kelly Cranstoun|Kelly-Kim Cranstoun]] |
* Gifford - [[Peter Bond]] | * Gifford - [[Peter Bond]] | ||
* Hackett - [[Jonathan Curry-Machado]] | * Hackett - [[Jonathan Curry-Machado]] |
Latest revision as of 13:16, 25 March 2013
by Rodney Quinn
Directed by Chaz Doyle & Rodney Quinn
Performances: Tue 19th – Sat 23rd March 2013, Prompt Corner
Presented in a double bill with Over the Top
Contents
Introduction
Birds Still Fly, first performed in 2006 at the Cork Arts Theatre, is set in the late 13th century. Hackett, a farmer, whose son, unknown to him, has been taken off to a foreign land with a Crusader army. Hackett follows the army's path to bring his son home.
Cast
- Eda - Kelly-Kim Cranstoun
- Gifford - Peter Bond
- Hackett - Jonathan Curry-Machado
- Abelard - Chaz Doyle
- Ulric - Jake Passmore
Crew
- Stage Manager - Graham Clements
- Production Assistant - Michelle Thomson
- Lighting Design - Gavin Parker, Chris Gomez
- Sound Design - Andrew Rickinson
- Lighting & Sound Operator - Patrick Brown
- Costumes - Lisa Thomas
- Set Build - Chaz Doyle, Ben Owora, Jonathan Curry-Machado, Noah Wright, Graham Clements, Stephanie Edwards, Rodney Quinn
- Poster Artwork - Chris Green
- Set Painting - Hazel Hindle
With thanks to:
Melissa Williams for all her proof-reading on the new drafts of both plays; Val Williams and Jason and Anne Quinn for creating the army hats; Alan Buckman, Noah Wright and Peter Bond for props; Jeanette for all her help with the poster; the Hope pub for generously providing rehearsal space; and, finally, all the Bar, Box Office and Front of House volunteers who keep SLT running.
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>