Difference between revisions of "A Doll's House (1982)"
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| − | "A Doll's House" was Ibsen's first | + | "A Doll's House" was Ibsen's first international success. It aroused extraordinary controversy wherever it was staged or read. The problem of women's rights was particularly topical at that time in Norway. Ibsen's wife was an outspoken champion of the feminine cause, and with the publication of "A Doll's House", Ibsen was hailed as the special champion of women. Ibsen himself protested against any of his plays being regarded as social or moral tracts. Nineteen years after he wrote "A Dolls House" he was invited to address the Norwegian Association for Women's Rights in Oslo. He accepted but his speech must have been a disappointment: "I am not a member of the Association for Women's Rights, I have never written a play to further a social purpose. I must decline the honour of being said to have worked for the Women's Rights movement. I am not even very sure what Women's Rights are". |
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== See Also == | == See Also == | ||
| − | + | Have there been other SLT productions of this play? Link to them here. | |
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| + | Or add anything that is related ''within this site''. The author's page for instance or other plays with a similar theme. | ||
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| + | *'''[http://www.someplace.com/thisplay This play on the web] | ||
| − | [[Category:Productions | + | [[Category:Productions]] |
| − | [[Category:Bell Theatre Productions | + | [[Category:Bell Theatre Productions]] |
Revision as of 12:12, 4 October 2007
by Henrik Ibsen
Directed by Angie Shrubsole
Performances: Sun 7th – Sat 13th March 1982, Bell Theatre
Contents
Introduction
From the Program
"A Doll's House" was Ibsen's first international success. It aroused extraordinary controversy wherever it was staged or read. The problem of women's rights was particularly topical at that time in Norway. Ibsen's wife was an outspoken champion of the feminine cause, and with the publication of "A Doll's House", Ibsen was hailed as the special champion of women. Ibsen himself protested against any of his plays being regarded as social or moral tracts. Nineteen years after he wrote "A Dolls House" he was invited to address the Norwegian Association for Women's Rights in Oslo. He accepted but his speech must have been a disappointment: "I am not a member of the Association for Women's Rights, I have never written a play to further a social purpose. I must decline the honour of being said to have worked for the Women's Rights movement. I am not even very sure what Women's Rights are".
Cast
- Nora Helmer - Norma Tagliavini
- Torvald Helmer - John Anderson
- Kristine Linde - Susan Adams
- Dr. Rank - Bernard McLaughlin
- Nanny - Frances Walker
- Helena - Gillian Holmes
- Porter - Matthew Lyne
- Ivan - James Gregory
- Bob - Nick Anderson
- Emmy - Rachel Hedden, Eugenia Anderson
Crew
- Assistant to director - Robert Hedden
- Stage Manager - W. Malcolm Woodman
- Assistant Stage Managers - Matthew Lyne, Don Gillate, Keith McLennen
- Lighting - Ann King
- Sound - Brian Fretwell
- Design - Stewart Semple, Jonathan Silver
- Set Construction - Stewart Semple, Jonathan Silver, Malcolm Woodman, Jim Doyle
- Props - Jonathan Silver
- Tarantella Costume - Debby Parrett
- Costume Makers - Joyce Whitelaw, Pam Drury, Jeanette Hoile
- Wardrobe Mistress - Theresa Marshall
- Etchings - David Cromwell
- Choreography - Jean Warboyes
- Piano - Lynn Jenner, Irene Wimborne
- Poster Design - Carole Smither
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
