Difference between revisions of "The Thrill of Love (2015)"
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| − | [[Image:ttol_web01011970.jpg|thumb| | + | [[Image:ttol_web01011970.jpg|thumb|400px|Poster by [[Tom Hancock]]]] |
by [[Amanda Whittington]] | by [[Amanda Whittington]] | ||
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== Introduction == | == Introduction == | ||
| − | + | As the last woman to be hanged in Britain, Ruth Ellis achieved the notoriety she craved but maybe not in the way she had ever imagined. From her dreams of being a Hollywood star to the cold reality of the steel bars of Holloway prison, Ruth came to meet her demise. | |
| − | + | ||
| − | + | A tragic tale of a fragile woman betrayed by every man she met and loved. This play asks the questions that, at the time , were inconceivable - her death divided a classist nation and shook the morality of capital punishment. | |
| − | + | ||
| − | + | Some good came from her hanging as it haunted those that allowed it and acted as a catalyst for change in the abhorrent death penalty. | |
| − | + | ||
| − | + | ||
== Cast == | == Cast == | ||
| − | * | + | * Ruth Ellis - [[Roz Jones]] |
| − | * | + | * Jack Gale - [[Steve Anstee]] |
| − | * | + | * Sylvia Shaw - [[Cate Withacy]] |
| + | * Vickie Martin - [[Felicity Wentzel]] | ||
| + | * Doris Judd - [[Gemma-May Bowles]] | ||
| + | |||
| + | |||
== Crew == | == Crew == | ||
| + | * Assistant Director - [[Harry Hancock]] | ||
| + | * Stage Manager - [[Rachael Lovegrove]] | ||
| + | * Lighting/Sound Operator - [[Siobhan Campbell]] | ||
| + | * Costumes - [[Lisa Thomas]] & [[Laura Miller]] | ||
| + | * Properties - [[Alan Buckman]] | ||
| + | * Sound Design - [[Julian Cox]] | ||
| + | * Lighting Design - [[Tom Hancock]] & [[Peter Stevens]] | ||
| + | * Set Construction - [[Chaz Doyle]], [[Barry Heselden]], [[Tom Hancock]] & Cast | ||
| + | * Poster Design & Production Photographs - [[Tom Hancock]] | ||
| − | + | == Thanks == | |
| − | + | Special thanks must also be given to the cast and crew of [[Remote (2015)|Remote]], the cast and crew of [[Agigail's Party (2015)|Abigail's Party]], [[Gavin Parker]], [[Michelle Thomson]] and the publicity team, [[Jeanette Hoile]], [[Matthew Lyne]] and the bar staff, the box office team, Front of House, [[Alan Buckman]], [[Brian Fretwell]] for the lovely gramophone and Jane Hancock. | |
| − | + | ||
== Reviews == | == Reviews == | ||
Revision as of 00:15, 25 February 2015
Performances: Tue 24th – Sat 28th February 2015, Prompt Corner
Contents
Introduction
As the last woman to be hanged in Britain, Ruth Ellis achieved the notoriety she craved but maybe not in the way she had ever imagined. From her dreams of being a Hollywood star to the cold reality of the steel bars of Holloway prison, Ruth came to meet her demise.
A tragic tale of a fragile woman betrayed by every man she met and loved. This play asks the questions that, at the time , were inconceivable - her death divided a classist nation and shook the morality of capital punishment.
Some good came from her hanging as it haunted those that allowed it and acted as a catalyst for change in the abhorrent death penalty.
Cast
- Ruth Ellis - Roz Jones
- Jack Gale - Steve Anstee
- Sylvia Shaw - Cate Withacy
- Vickie Martin - Felicity Wentzel
- Doris Judd - Gemma-May Bowles
Crew
- Assistant Director - Harry Hancock
- Stage Manager - Rachael Lovegrove
- Lighting/Sound Operator - Siobhan Campbell
- Costumes - Lisa Thomas & Laura Miller
- Properties - Alan Buckman
- Sound Design - Julian Cox
- Lighting Design - Tom Hancock & Peter Stevens
- Set Construction - Chaz Doyle, Barry Heselden, Tom Hancock & Cast
- Poster Design & Production Photographs - Tom Hancock
Thanks
Special thanks must also be given to the cast and crew of Remote, the cast and crew of Abigail's Party, Gavin Parker, Michelle Thomson and the publicity team, Jeanette Hoile, Matthew Lyne and the bar staff, the box office team, Front of House, Alan Buckman, Brian Fretwell for the lovely gramophone and Jane Hancock.
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
