Difference between revisions of "Fings ain't Wot They Used t'Be (1986)"

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== Introduction ==
 
== Introduction ==
  
Fred runs a failing gambling joint in a seedy Soho Side-street and harbiiurs dreams of making a come-back to the halcyon days when he was "razor king of the manor".
+
Fred runs a failing gambling joint in a seedy Soho side street and harbours dreams of making a comeback to the halcyon days when he was "razor king of the manor".
  
 
Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers.
 
Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers.
  
Sargeant Collins is the "Friendly" local policeman who controls the "patch" and incidentally absorbs any rofit that Fred might otherwise make. The Sargeant's dream is to own a place like Fred's and be the one that pays and not just the one who 'cops' the bribes.
+
Sergeant Collins is the "friendly" local policeman who controls the "patch" and incidentally absorbs any profit that Fred might otherwise make. The sergeant's dream is to own a place like Fred's and be the one that pays and not just the one who 'cops' the bribes.
  
Paddy, the jovial tea-man; tosher, the ponce: Betty and Rosey, Tosher's blousy tarts; Redhot, the old lag and Norman, the leader of the local Teddy boys are among the other dreamers who have made Fred's gaff their home.
+
Paddy, the jovial tea-man; Tosher, the ponce: Betty and Rosey, Tosher's blousy tarts; Redhot, the old lag, and Norman, the leader of the local Teddy boys, are among the other dreamers who have made Fred's gaff their home.
  
When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into immeadiate effect. But gang boss, Meatface Heiman, stands in Fred's path and the only way back to the top is through a 'carve-up' with Meatface and his mob. Very Nasty!
+
When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into immediate effect. But gang boss, Meatface Heiman, stands in Fred's path and the only way back to the top is through a 'carve-up' with Meatface and his mob. Very nasty!
  
But "Fings Aint Wot They Used T'be" is above everthing else and entertainment with lots of laughs and songs for everyone. It's a theatrical knees-up for all the family - a chance to forget your troubles and join in the fun.
+
But "Fings Aint Wot They Used T'be" is above everything else an entertainment with lots of laughs and songs for everyone. It's a theatrical knees-up for all the family - a chance to forget your troubles and join in the fun.
  
 
Mike Mattey
 
Mike Mattey
  
This Production was sponsored by Midland Bank.
+
This production was sponsored by Midland Bank.
  
 
== Cast ==
 
== Cast ==
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*Lily Smith - [[Sally Maclean]]
 
*Lily Smith - [[Sally Maclean]]
 
*Paddy - [[John Hartnett]]
 
*Paddy - [[John Hartnett]]
*Segeant Collins - [[Terry Barden]]
+
*Sergeant Collins - [[Terry Barden]]
 
*Betty - [[Ann Richards]]
 
*Betty - [[Ann Richards]]
 
*Rosey - [[Sally Lill]]
 
*Rosey - [[Sally Lill]]
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*Redhot - [[Dennis Packham]]
 
*Redhot - [[Dennis Packham]]
 
*Horace - [[Alan Buckman]]
 
*Horace - [[Alan Buckman]]
*Poliemen - [[Simon Vaal]] & [[Paul Hummerson]]
+
*Policemen - [[Simon Vaal]] & [[Paul Hummerston]]
 
*Norman - [[Godfrey Jansen]]
 
*Norman - [[Godfrey Jansen]]
 
*Busker - [[Sue Thompson]]
 
*Busker - [[Sue Thompson]]
*Gamblers - [[Juliet Male]] & [[Bill Pavey]]
+
*Gamblers - [[Juliet Male]] & [[Bill Pavely]]
 
*Percy - [[Alan Buckman]]
 
*Percy - [[Alan Buckman]]
 
*Myrtle - [[Sue Thompson]]
 
*Myrtle - [[Sue Thompson]]
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*Designed by - [[Alan Buckman]]
 
*Designed by - [[Alan Buckman]]
*Musical Director - [[Bil Pavely]]
+
*Musical Director - [[Bill Pavely]]
 
*Stage Manager - [[June McAuliffe]]
 
*Stage Manager - [[June McAuliffe]]
 
*Assistant Stage Managers - [[Carol Saunders]], [[Robin Lill]], [[John Kidd]] & [[John Salmins]]
 
*Assistant Stage Managers - [[Carol Saunders]], [[Robin Lill]], [[John Kidd]] & [[John Salmins]]
 
*Lighting - [[Brian Fretwell]]
 
*Lighting - [[Brian Fretwell]]
 
*Choreography - [[Malcolm Flint]]
 
*Choreography - [[Malcolm Flint]]
*Set Constrution - [[Canice McAuliffe]] with [[David Lamkin]], [[Dick Lilley]] & [[Robin Lill]]
+
*Set Construction - [[Canice McAuliffe]] with [[David Lamkin]], [[Dick Lilley]] & [[Robin Lill]]
 
*Wardrobe - [[Ann Mattey]]
 
*Wardrobe - [[Ann Mattey]]
  
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== Gallery ==
 
== Gallery ==
 +
<gallery caption="Photos by [[Brian Fretwell]]" widths="300px" heights="300px" perrow="5">
  
 
+
Image:Fings001.jpg|Paul Hummerston, Simon Vaal, Terry Barden & Sue Thompson
 +
Image:Fings002.jpg|Matthew Lyne, John Lyne, Ann Richards, Sally MacLean, Sally Lill
 +
Image:Fings003.jpg|Billy Pavely at the Piano
 +
Image:Fings004.jpg|Dennis Packham at the table, John Hartnett behind the counter
 +
Image:Fings005.jpg|Ann Richards, Alan Buckman & Sally Lill
 +
Image:Fings006.jpg|Juliet Male
 +
Image:Fings007.jpg|Dave Groves & Jeanette Hoile
 +
Image:Fings008.jpg|
 +
Image:Fings009.jpg|
 +
Image:Fings010.jpg|Gillian Holmes
 +
Image:FingAintWotTheyUsedTBe033.jpg
 +
Image:Fings011.jpg|Godfrey Jansen by the door
 +
Image:Fings012.jpg|
 +
</gallery>
  
 
== Reminiscences and Anecdotes ==
 
== Reminiscences and Anecdotes ==
  
Members are encouraged to write about their experiences of working on or seeing this productionPlease leave your name. Anonymous entries may be deleted.
+
The second night looked quite different to the first in places. I added an extra 4 1,000 watt lights geled to bright colours for the musical numbers after seeing the first full performance. Brian Fretwell.
  
 
== See Also ==
 
== See Also ==
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[[Category:Productions]]
 
[[Category:Productions]]
 
[[Category:Bell Theatre Productions]]
 
[[Category:Bell Theatre Productions]]
 +
[[Category:Gala Productions]]
 +
[[Category:Musical Theatre and Revue]]

Latest revision as of 11:43, 22 September 2017

Poster by Poster Designer

by Frank Norman & Lionel Bart

Directed by Mike Mattey

Performances: Sat 4th – Sat 11th October (Gala Night Tues 7th) 1986, Bell Theatre


Introduction

Fred runs a failing gambling joint in a seedy Soho side street and harbours dreams of making a comeback to the halcyon days when he was "razor king of the manor".

Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers.

Sergeant Collins is the "friendly" local policeman who controls the "patch" and incidentally absorbs any profit that Fred might otherwise make. The sergeant's dream is to own a place like Fred's and be the one that pays and not just the one who 'cops' the bribes.

Paddy, the jovial tea-man; Tosher, the ponce: Betty and Rosey, Tosher's blousy tarts; Redhot, the old lag, and Norman, the leader of the local Teddy boys, are among the other dreamers who have made Fred's gaff their home.

When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into immediate effect. But gang boss, Meatface Heiman, stands in Fred's path and the only way back to the top is through a 'carve-up' with Meatface and his mob. Very nasty!

But "Fings Aint Wot They Used T'be" is above everything else an entertainment with lots of laughs and songs for everyone. It's a theatrical knees-up for all the family - a chance to forget your troubles and join in the fun.

Mike Mattey

This production was sponsored by Midland Bank.

Cast

Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

The second night looked quite different to the first in places. I added an extra 4 1,000 watt lights geled to bright colours for the musical numbers after seeing the first full performance. Brian Fretwell.

See Also

Have there been other SLTC/SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

<references/>

External Links