Difference between revisions of "God of Carnage (2017)"
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* [[Stage Manager]] - [[Kay George]] | * [[Stage Manager]] - [[Kay George]] | ||
* Lighting & Sound Operator - [[Tiffany Manning]] | * Lighting & Sound Operator - [[Tiffany Manning]] | ||
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| + | == Thanks == | ||
| + | |||
| + | [[Chaz Doyle|Chaz]] for multitasking throughout, the get-in crew including [[Tom Mathias]], [[Mark Ireson]], [[Sean Thomas]], and [[Jenni Chadney|Jenni Dash]]. [[Bryon Fear|Bryon]] for the poster and programme, [[Phil Gammon]] for the show photography, Shanice Clarke for her clever needlework, Jo Boniface for her vax, [[Charlotte Benstead]] for her chair, [[Floral Hall]] for the flowers and [[Chris Brown for having nothing to sit on for a week. | ||
| + | |||
| + | Thanks also to [[Jess Osorio]], the wonderful volunteers looking after front of house and box office, plus all the staff here at [[Stanley Halls]]. | ||
== Reviews == | == Reviews == | ||
Revision as of 22:13, 2 November 2017
by Yasmin Reza translated by Christopher Hampton
Performances: Tue 31st October – Sat 4th November 2017, Upper Hall, Stanley Halls
Contents
Introduction
The action takes place in a living room.
Cast
- Michael Novak - Charles Doyle
- Veronica Novak - Jade Fane
- Annette Raleigh - Lucie Sherwood
- Alan Raleigh - Paul Dineen
Crew
- Assistant Director - Anna Rubincam
- Stage Manager - Kay George
- Lighting & Sound Operator - Tiffany Manning
Thanks
Chaz for multitasking throughout, the get-in crew including Tom Mathias, Mark Ireson, Sean Thomas, and Jenni Dash. Bryon for the poster and programme, Phil Gammon for the show photography, Shanice Clarke for her clever needlework, Jo Boniface for her vax, Charlotte Benstead for her chair, Floral Hall for the flowers and [[Chris Brown for having nothing to sit on for a week.
Thanks also to Jess Osorio, the wonderful volunteers looking after front of house and box office, plus all the staff here at Stanley Halls.
Reviews
Some review quotes go here
Gallery
- Photos by Phil Gammon
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
