Difference between revisions of "The Miser (1968)"

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(New page: Poster by [[Poster Designer]] by Moliere Translated by Miles Malleson Directed by Victot Shaw Performances: Sun 1st – Sat 7th Dec...)
 
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[[Image:CHANGETHISNAME.jpg|thumb|300px|Poster by [[Poster Designer]]]]
 
[[Image:CHANGETHISNAME.jpg|thumb|300px|Poster by [[Poster Designer]]]]
  
by [[Moliere]] Translated by [[Miles Malleson]]
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by [[Molière]]  
  
Directed by [[Victot Shaw]]  
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Translated by [[Miles Malleson]]
  
Performances: Sun 1st – Sat 7th December [[1969]], [[Bell Theatre|Theatre]]
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 +
Directed by [[Victor Shaw]]
 +
 
 +
Performances: Sun 1st – Sat 7th December [[1968]], [[Bell Theatre|Theatre]]
  
  
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*Character 1 - [[Actor 1]]
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*Valere - [[Raymond Jones]]
*Character 2 - [[Actor 2]]
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*Elise - [[Janice Grady]]
*Character 3 - [[Actor 3]]
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*Cleante - [[Alain Bouvier]]
 +
*Harpagon, the Miser - [[Charles Cheetham]]
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*La Fleche - [[Michael Archer]]
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*Master Simon - [[Kevin Pither]]
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*Frosine - [[Anna Greenburg]]
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*Jaques - [[Bernard Bullbrook]]
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*1st Servant - [[Patrick Hamilton-Flint]]
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*2nd Servant - [[James Morgan]]
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*Mariane - [[Cynthia Fletcher]]
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*Justice of the Peace - [[Eric Twelftree]]
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*Clerk to the Justice - [[Tony Saill]]
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*Seigneur Anselm - [[Alan Firminger]]
  
 
== Crew ==
 
== Crew ==
  
*Stage Manager - [[SM Name]]
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*Stage Manager - [[Sheila Rees]]
*Lighting Design - [[Designer Name]]
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*Assisted by - [[Lesley Morris]], [[Frances Howard]], [[Ruth Lidyard|Ruth Shettle]]
*Lighting Operator - [[Operator Name]]
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*Lighting - [[Keith Walmesley]]
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*Setting - [[Charles Paffey]]
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*Wardrobe - [[Sue Gyde]], [[Sheila Pasco]]
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*Assistant to the director - [[Patrick Hamilton-Flint]]
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*F.O.H. Manager - [[Frank Howcutt]]
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*Box Office Manager - [[Ralph Wade]]
  
 
== Reviews ==
 
== Reviews ==
  
Some review quotes go here
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After the agonies of Tennessee Williams, South London Theatre Centre have decided it is time for a good laugh; and that is exactly what they have given us in Victor Shaw's Hard-hitting production......
  
 +
As a matter of fact, I did laugh a great deal.... Charles Cheetham has been given his biggest chance to date with the Centre. As Harpegon, je my lack Miles Matheson's gift of creating a mood with a quiver of the chin or a flick of the eyelid. But he has his own considerable flair for broad comedy, and he uses it here in full measure......
  
== Gallery ==
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Such was the fervour of the acting on Sunday that Bernard Bullbrook, who was busily creating an excellent little cameo as Jacques, was actually injured in his encounter with Harpagon, causing the curtains to be drwn for about five minutes while he received mediacl attention.
  
 +
The movements are not all worked out satisfactorily, but the production in general caries the action forwards in fine style. There is some very good supporting work by, in particular, Raymond Jones (Valere), and Janice Grady (Elsie). And Anna Greenburg has a good deal of fire, and knows how to get the most out of such odd-ball lines as "What's 60 to a man of your age."
  
 +
The set, in black relieved by white pillars, is simple yet effective, but some of the make-up (notably that of Alain Bouvier, as an otherwise effective Cleante) is laid on with heavy hand.
 +
 +
You can take a bow, Victor Shaw; you have succeeded in your "sole purpose".
 +
 +
Donald Madgwick, The Croydon Advertiser 5/12/68
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 +
== Gallery ==
 +
<gallery widths="250px" heights="250px" perrow="5">
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Image:TheMiser001.jpg
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Image:Miser003.jpg
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Image:Miser001.jpg
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Image:Miser004.jpg
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Image:Miser005.jpg
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Image:Miser002.jpg
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</gallery>
  
 
== Reminiscences and Anecdotes ==
 
== Reminiscences and Anecdotes ==
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== See Also ==
 
== See Also ==
Have there been other SLT productions of this play?  Link to them here.
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* [[Tartuffe (1988)|Tartuffe]] ([[1988]]) ([[Bell Theatre]])
 
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* [[The Miser (2004)|The Miser]] ([[2004]]) ([[Bell Theatre]])
Or add anything that is related ''within this site''.  The author's page for instance or other plays with a similar theme.
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* [[The Hypochondriac (2013)|The Hypochondriac]] ([[2013]]) ([[Bell Theatre]])
 +
* [[The Misanthrope (2018)|The Misanthrope]] ([[2018]]) ([[Old Fire Station]])
  
 
== References ==
 
== References ==
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[[Category:Productions]]
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[[Category:Productions|Miser (1968), The]]
[[Category:Bell Theatre Productions]]
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[[Category:Bell Theatre Productions|Miser (1968), The]]

Latest revision as of 02:07, 11 December 2019

Poster by Poster Designer

by Molière

Translated by Miles Malleson


Directed by Victor Shaw

Performances: Sun 1st – Sat 7th December 1968, Theatre


Introduction

Text about the play

Cast

Crew

Reviews

After the agonies of Tennessee Williams, South London Theatre Centre have decided it is time for a good laugh; and that is exactly what they have given us in Victor Shaw's Hard-hitting production......

As a matter of fact, I did laugh a great deal.... Charles Cheetham has been given his biggest chance to date with the Centre. As Harpegon, je my lack Miles Matheson's gift of creating a mood with a quiver of the chin or a flick of the eyelid. But he has his own considerable flair for broad comedy, and he uses it here in full measure......

Such was the fervour of the acting on Sunday that Bernard Bullbrook, who was busily creating an excellent little cameo as Jacques, was actually injured in his encounter with Harpagon, causing the curtains to be drwn for about five minutes while he received mediacl attention.

The movements are not all worked out satisfactorily, but the production in general caries the action forwards in fine style. There is some very good supporting work by, in particular, Raymond Jones (Valere), and Janice Grady (Elsie). And Anna Greenburg has a good deal of fire, and knows how to get the most out of such odd-ball lines as "What's 60 to a man of your age."

The set, in black relieved by white pillars, is simple yet effective, but some of the make-up (notably that of Alain Bouvier, as an otherwise effective Cleante) is laid on with heavy hand.

You can take a bow, Victor Shaw; you have succeeded in your "sole purpose".

Donald Madgwick, The Croydon Advertiser 5/12/68

Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

References

<references/>

External Links