Difference between revisions of "Waiting for Godot (2021)"

From sltarchive
Jump to: navigation, search
(Introduction)
(Crew)
Line 23: Line 23:
 
== Crew ==
 
== Crew ==
  
*[[Stage Manager]] - [[SM Name]]
+
* Production Assistant - [[Lorna Felix]]
*[[Lighting Designer]] - [[Designer Name]]
+
* Stage Manager - [[Graham Clements]]
*[[Lighting Operator]] - [[Operator Name]]
+
* Set Designer - [[Chaz Doyle]]
 +
* Lighting & Sound Designer - [[Bryon Fear]]
 +
* Wardrobe - [[Jenny Bennett]]
 +
* Props & Scenic Artist - [[Carole Ironside]]
 +
* Make Up Artist - [[Lily Ann Coleman]]
 +
* Lighting & Sound Operator - [[Sarah Farage]]
 +
* Stunt Coordinator - [[Chaz Doyle]]
 +
* Construction & Rigging - [[Sean Thomas]]
 +
* Assistant Stage Manager - [[Alec Osborne]]
 +
* Set Construction - Crew & [[Mark Ireson]]
 +
* Photographer - [[Phil Gammon]]
 +
* Theatre Rep - [[Barry Heselden]]
  
 
== Reviews ==
 
== Reviews ==

Revision as of 10:55, 12 October 2021

Poster by Poster Designer

by Samuel Beckett

Directed by Jeanette Hoile

Performances: Tuesday 12 – Saturday 16 October 2021, Old Fire Station


Introduction

Vivian Mercer famously described this as a play in which “nothing happens, twice”. It has become a modern classic. Two tramps, Estragon and Vladimir, wait in a barren landscape for Godot to come. Pozzo and Lucky, a master and servant, arrive and join them briefly. A boy brings hopeful messages. In the second act, this happens again. The interdependence of Gogo and Didi is lightened by quick fire repartee and music hall routines, as they use the humour of nonsensical banter to survive. Comedy is never far from the tragedy and pathos of their existence, and hope is rarely lost. This entertaining and surreal play provides unexpected twists to challenge the audience, while exploring and echoing so many aspects of our pandemic experience, thereby reminding us all that humour – and hugs – will surely enable us to survive anything

Cast

Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

References

External Links