Difference between revisions of "Four Old Broads (2024)"
Mark Ireson (Talk | contribs) (→Introduction) |
Mark Ireson (Talk | contribs) (→Preview from the SLT website) |
||
| (One intermediate revision by the same user not shown) | |||
| Line 15: | Line 15: | ||
==Preview from the SLT website== | ==Preview from the SLT website== | ||
Co-directors LilyAnn Green and Barry Heselden introduce their sassy comedy, set in a retirement home in Georgia. | Co-directors LilyAnn Green and Barry Heselden introduce their sassy comedy, set in a retirement home in Georgia. | ||
| + | |||
'''You stepped up from being cast members to direct this play - what was it that appealed to you about it?''' | '''You stepped up from being cast members to direct this play - what was it that appealed to you about it?''' | ||
| Line 31: | Line 32: | ||
Sam Smith (Barry) is a retired Elvis impersonator with an eye for the ladies. Maude (Lorraine Spenceley) is a depressed widow whose children don’t visit, and is obsessed with her funeral and her favourite soap opera. Pat (Jo Parry) is the awful new head nurse at the home. No one knows much about her or likes her. Ruby Sue (Sapphire Shoferpoor) is the newest member of the staff – sweet, kind and always reading a romance novel. | Sam Smith (Barry) is a retired Elvis impersonator with an eye for the ladies. Maude (Lorraine Spenceley) is a depressed widow whose children don’t visit, and is obsessed with her funeral and her favourite soap opera. Pat (Jo Parry) is the awful new head nurse at the home. No one knows much about her or likes her. Ruby Sue (Sapphire Shoferpoor) is the newest member of the staff – sweet, kind and always reading a romance novel. | ||
| − | What have you found most challenging in directing this? | + | '''What have you found most challenging in directing this?''' |
(LA) Being in it as well as directing has been extremely challenging. I often put my hand up and say – “director note now”! And sometimes have to ask Sapphire (who was my AD for Whose Life is it Anyway?, and as she has a smaller role in this, is often watching) and Barry, “is what I’m doing working”? Well actually, I don’t ask Barry – he just tells me when it’s not! Also, we’ve had one actor away on a cruise (research she says!), another on 2-week holiday, another working several evenings and recently Barry’s company sent him to Finland for several days! | (LA) Being in it as well as directing has been extremely challenging. I often put my hand up and say – “director note now”! And sometimes have to ask Sapphire (who was my AD for Whose Life is it Anyway?, and as she has a smaller role in this, is often watching) and Barry, “is what I’m doing working”? Well actually, I don’t ask Barry – he just tells me when it’s not! Also, we’ve had one actor away on a cruise (research she says!), another on 2-week holiday, another working several evenings and recently Barry’s company sent him to Finland for several days! | ||
Latest revision as of 13:23, 9 November 2024
Co-Directors Lily Ann Green and Barry Heselden
Performances: Tuesday 5 – Saturday 9 November 2024, Old Fire Station
Contents
Introduction
Unfortunately, things have not been very pleasant at Magnolia Place Assisted Living since Nurse Pat Jones began working there. The newest resident, Imogene Fletcher, is suddenly losing her memory. Maude Jenkins is obsessed with her favorite soap opera and planning her own funeral. Sam Smith, retired Elvis impersonator, keeps trying to bed every woman in the building.
A mystery unfolds with laughter as the gals try to outsmart the evil Nurse Pat Jones and figure out why so many residents have been moved to “the dark side,” what exactly IS that mysterious pill, and what happened to Doctor Head?
Preview from the SLT website
Co-directors LilyAnn Green and Barry Heselden introduce their sassy comedy, set in a retirement home in Georgia.
You stepped up from being cast members to direct this play - what was it that appealed to you about it?
LilyAnn (LA) I stepped up because I wanted the show to go on and I was already fond of it. But then no one came forward to play the role I was originally cast in. Barry then suggested co-directing; I’ve directed him before (this is the fourth time) but he’s never directed me, and despite knowing each other for 18 years we’ve never really acted together. So, I quickly said yes! The show is just so much fun and silly with roles for five older actors. It had to go on!
Barry Heselden (BH) I couldn’t resist the chance to be on stage with LilyAnn and of course these other talented actors. It’s a great fun play, and growing up as an Elvis fan I couldn’t resist this chance to play a retired Elvis impersonator!
No spoilers of course, but what's the plot?
Four older women in a retirement home in Georgia, US are planning a cruise. Now throw in intrigue created by an evil administrator, a romance novel-obsessed assistant, the discovery of a plot involving fake pills, a wayward son, a senior’s beauty pageant, a retired Elvis impersonator – then leave your brain at the door and come and have a good laugh!
Tell us about the characters we'll meet.
Imogene (Carmel Gilligan-Fernandes) is new to the home – sweet, divorced, lonely and worried about her ‘loser’ son Frank. Eaddy (Kait Feeney) is overly-religious and keeps an eye and ear on everyone else’s bad language and thoughts, but secretly loves it! Beatrice (LilyAnn) is Eaddy’s best friend – outrageous, mouthy and slightly sex-mad, but we find out more about her as we go!
Sam Smith (Barry) is a retired Elvis impersonator with an eye for the ladies. Maude (Lorraine Spenceley) is a depressed widow whose children don’t visit, and is obsessed with her funeral and her favourite soap opera. Pat (Jo Parry) is the awful new head nurse at the home. No one knows much about her or likes her. Ruby Sue (Sapphire Shoferpoor) is the newest member of the staff – sweet, kind and always reading a romance novel.
What have you found most challenging in directing this?
(LA) Being in it as well as directing has been extremely challenging. I often put my hand up and say – “director note now”! And sometimes have to ask Sapphire (who was my AD for Whose Life is it Anyway?, and as she has a smaller role in this, is often watching) and Barry, “is what I’m doing working”? Well actually, I don’t ask Barry – he just tells me when it’s not! Also, we’ve had one actor away on a cruise (research she says!), another on 2-week holiday, another working several evenings and recently Barry’s company sent him to Finland for several days!
(BH) It’s been a long time since I directed a comedy, so it’s been great to ‘find the fun’ and develop the comic moments, keeping them real and without them becoming over the top.
What's been the most fun part? (LA) The script. The jokes. The cast. We have laughed!!
(BH) All the above and having the bar open on our rehearsal nights. Great to see lots of new members volunteering to keep the heart of the club open on non-show nights. Four Old Broads rehearsal photo
Sum up the play in three words?
(LA) Silly, naughty, funny!
(BH) Sexy, dangerous, angelic!
Cast
- Beatrice - Lily Ann Green
- Eaddy - Kait Feeney
- Imogene - Carmel Gilligan Fernandes
- Maude - Lorraine Spenceley
- Sam - Barry Heselden
- Pat Jones - Jo Parry
- Ruby Sue - Sapphire Shoferpoor
- Carlton (voice) - Chaz Doyle
- Alexia (voice) - Anna Rubincam
- Lurleen (voice) - Kim Goldsmith
Crew
- Stage Manager - Kay George
- Assistant Stage Manager - Eddie Coleman
- Operator - Rachael Lovegrove
- Lighting Design - Jason Salmon
- Sound Design - Tom Watts
- Fight Choreography - Stephen Hayward
- Costume - Lorraine Spenceley, the cast, Jenny Bennett & SLT Wardrobe
- Wigs - LA Coleman
- Props - found and lent by the cast and crew
- Show photography - Phil Gammon
- Set design and construction - Barry Heselden, Mark Ireson, Sean Thomas, Brian Fretwell, Graham Clements, Dennis Fenton, Robert Wallace, Greg Williams, Carl Spenceley, Lee Ridgeway, cast and crew
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
