Difference between revisions of "Arcadia (2008)"
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| − | [[Image: | + | [[Image:ARCADIAWEBFLYER.jpg|thumb|600px|Poster by [[Maria Bates]]]] |
by [[Tom Stoppard]] | by [[Tom Stoppard]] | ||
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Performances: Tuesday 2nd - Saturday 6th September [[2008]], [[Bell Theatre]] | Performances: Tuesday 2nd - Saturday 6th September [[2008]], [[Bell Theatre]] | ||
| + | == Auditions == | ||
| + | |||
| + | *Sunday 11th May, 6-8pm (Rehearsal room) | ||
| + | *Monday 12th May, 8-10pm (Prompt Corner) | ||
| + | *Tuesday 13th May, 8-10pm (Bell Theatre) | ||
== Introduction == | == Introduction == | ||
| Line 12: | Line 17: | ||
Stoppard’s 1993 comedy Arcadia has long been hailed as his greatest work amongst an impressive list of critical and commercial successes. | Stoppard’s 1993 comedy Arcadia has long been hailed as his greatest work amongst an impressive list of critical and commercial successes. | ||
| − | Set in 1809 and the present day in the same room in Sidley Park, Derbyshire, this hilariously funny and moving story revolves around members of the Croom family, as well as visitors to their estate and their modern day counterparts | + | Set in 1809 and the present day in the same room in Sidley Park, Derbyshire, this hilariously funny and moving story revolves around members of the Croom family, as well as visitors to their estate and their modern day counterparts. |
| − | These scenes alternate with those involving pompous academic Bernard Nightingale, researcher Hannah Jarvis and mathematician Valentine Coverly as they work, in the present day, to uncover the truth of the past from clues left in | + | Thomasina, the 13 year old maths prodigy has an unquenchable thirst for knowledge, seeking of her tutor Septimus the meaning of Fermat’s Last Theorum, Chaos Theory and carnal embrace in one dizzying lesson. Septimus, no stranger to carnal embrace himself, has to avoid a duel with second-rate poet Ezra Chater following a ‘perpendicular poke’ with Chater’s wife in the gazebo. Meanwhile Lady Croom has her own designs on Septimus, ‘Culpability’ Noakes, the landscape architect, has designs on her ladyship's gardens and dashing young Romantic Lord Byron is game for anything. |
| + | |||
| + | These scenes alternate with those involving pompous academic Bernard Nightingale, researcher Hannah Jarvis and mathematician Valentine Coverly as they work, in the present day, to uncover the truth of the past from clues left in letters, books and commodes. Whilst we see the truth of these events, our modern day sleuths manage to jump to the most unlikely conclusions with only the scantest of evidence. Did the young Byron murder Chater in a duel before fleeing the country, what is the significance of a tropical monkey bite and who is the mysterious hermit living in the grounds? | ||
This play shows Stoppard at his mind-blowing best as he plays havoc with time and his characters sensibilities and we, the audience, are the only ones invited to the party. Alternating between past and present we see how those in the past yearn to know the future, while our own contemporaries long for the past. In the final scene both sets of characters occupy the same space and play out their own conclusions separated by the centuries. | This play shows Stoppard at his mind-blowing best as he plays havoc with time and his characters sensibilities and we, the audience, are the only ones invited to the party. Alternating between past and present we see how those in the past yearn to know the future, while our own contemporaries long for the past. In the final scene both sets of characters occupy the same space and play out their own conclusions separated by the centuries. | ||
| − | + | <blockquote> | |
Arcadia won the 1993 Olivier Award for Best Play and the 1995 New York Drama Critics Award. | Arcadia won the 1993 Olivier Award for Best Play and the 1995 New York Drama Critics Award. | ||
| − | + | </blockquote> | |
| + | <blockquote> | ||
"I have never left a new play more convinced that I'd just witnessed a masterpiece." ''Daily Telegraph'' | "I have never left a new play more convinced that I'd just witnessed a masterpiece." ''Daily Telegraph'' | ||
| − | + | </blockquote> | |
| + | <blockquote> | ||
“This is a brilliant, brilliant play. A play of ideas, of consummate theatricality, of sophisticated entertainment and of heartache for time never to be regained” ''Sunday Times'' | “This is a brilliant, brilliant play. A play of ideas, of consummate theatricality, of sophisticated entertainment and of heartache for time never to be regained” ''Sunday Times'' | ||
| + | </blockquote> | ||
== Cast == | == Cast == | ||
| − | *Thomasina Coverly - [[Your name here...]] | + | *Thomasina Coverly - [[#Auditions|Your name here...]] |
| − | *Septimus Hodge - [[Your name here...]] | + | *Septimus Hodge - [[#Auditions|Your name here...]] |
| − | * | + | *Jellaby - [[#Auditions|Your name here...]] |
| − | *Ezra Chater - [[Your name here...]] | + | *Ezra Chater - [[#Auditions|Your name here...]] |
| − | *Richard Noakes - [[Your name here...]] | + | *Richard Noakes - [[#Auditions|Your name here...]] |
| − | *Lady Croom - [[Your name here...]] | + | *Lady Croom - [[#Auditions|Your name here...]] |
| − | *Capt. Brice, RN - [[Your name here...]] | + | *Capt. Brice, RN - [[#Auditions|Your name here...]] |
| − | *Hannah Jarvis - [[Your name here...]] | + | *Hannah Jarvis - [[#Auditions|Your name here...]] |
| − | *Chloe Coverly - [[Your name here...]] | + | *Chloe Coverly - [[#Auditions|Your name here...]] |
| − | *Bernard Nightingale - [[Your name here...]] | + | *Bernard Nightingale - [[#Auditions|Your name here...]] |
| − | *Valentine Coverly - [[Your name here...]] | + | *Valentine Coverly - [[#Auditions|Your name here...]] |
| − | *Gus Coverly - [[Your name here...]] | + | *Gus Coverly - [[#Auditions|Your name here...]] |
| − | *Augustus Coverly - [[Your name here...]] | + | *Augustus Coverly - [[#Auditions|Your name here...]] |
== Crew == | == Crew == | ||
| − | * | + | *Assistant Director - [[Kat Moody]] |
| + | *Set Design - [[Alan Buckman]] | ||
| + | *Costume - [[Hannah Gabrielle]] | ||
| + | *Sound Design and original music - [[Gerard Johnson]] | ||
*Stage Manager - [[Jane Moorhead]] | *Stage Manager - [[Jane Moorhead]] | ||
| − | |||
*Lighting Operator - [[Sarah Farage]] | *Lighting Operator - [[Sarah Farage]] | ||
| Line 71: | Line 83: | ||
== External Links == | == External Links == | ||
| − | |||
| − | |||
| − | |||
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Latest revision as of 23:03, 10 May 2008
by Tom Stoppard
Directed by Anton Krause
Performances: Tuesday 2nd - Saturday 6th September 2008, Bell Theatre
Contents
Auditions
- Sunday 11th May, 6-8pm (Rehearsal room)
- Monday 12th May, 8-10pm (Prompt Corner)
- Tuesday 13th May, 8-10pm (Bell Theatre)
Introduction
Stoppard’s 1993 comedy Arcadia has long been hailed as his greatest work amongst an impressive list of critical and commercial successes.
Set in 1809 and the present day in the same room in Sidley Park, Derbyshire, this hilariously funny and moving story revolves around members of the Croom family, as well as visitors to their estate and their modern day counterparts.
Thomasina, the 13 year old maths prodigy has an unquenchable thirst for knowledge, seeking of her tutor Septimus the meaning of Fermat’s Last Theorum, Chaos Theory and carnal embrace in one dizzying lesson. Septimus, no stranger to carnal embrace himself, has to avoid a duel with second-rate poet Ezra Chater following a ‘perpendicular poke’ with Chater’s wife in the gazebo. Meanwhile Lady Croom has her own designs on Septimus, ‘Culpability’ Noakes, the landscape architect, has designs on her ladyship's gardens and dashing young Romantic Lord Byron is game for anything.
These scenes alternate with those involving pompous academic Bernard Nightingale, researcher Hannah Jarvis and mathematician Valentine Coverly as they work, in the present day, to uncover the truth of the past from clues left in letters, books and commodes. Whilst we see the truth of these events, our modern day sleuths manage to jump to the most unlikely conclusions with only the scantest of evidence. Did the young Byron murder Chater in a duel before fleeing the country, what is the significance of a tropical monkey bite and who is the mysterious hermit living in the grounds?
This play shows Stoppard at his mind-blowing best as he plays havoc with time and his characters sensibilities and we, the audience, are the only ones invited to the party. Alternating between past and present we see how those in the past yearn to know the future, while our own contemporaries long for the past. In the final scene both sets of characters occupy the same space and play out their own conclusions separated by the centuries.
Arcadia won the 1993 Olivier Award for Best Play and the 1995 New York Drama Critics Award.
"I have never left a new play more convinced that I'd just witnessed a masterpiece." Daily Telegraph
“This is a brilliant, brilliant play. A play of ideas, of consummate theatricality, of sophisticated entertainment and of heartache for time never to be regained” Sunday Times
Cast
- Thomasina Coverly - Your name here...
- Septimus Hodge - Your name here...
- Jellaby - Your name here...
- Ezra Chater - Your name here...
- Richard Noakes - Your name here...
- Lady Croom - Your name here...
- Capt. Brice, RN - Your name here...
- Hannah Jarvis - Your name here...
- Chloe Coverly - Your name here...
- Bernard Nightingale - Your name here...
- Valentine Coverly - Your name here...
- Gus Coverly - Your name here...
- Augustus Coverly - Your name here...
Crew
- Assistant Director - Kat Moody
- Set Design - Alan Buckman
- Costume - Hannah Gabrielle
- Sound Design and original music - Gerard Johnson
- Stage Manager - Jane Moorhead
- Lighting Operator - Sarah Farage
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
