Difference between revisions of "The House of Bernarda Alba (2009)"

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[[Image:strummerposter.jpg|thumb|300px|Poster by [[Poster Designer]]]]
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[[Image:Bernardaalba.jpg|thumb|300px|Poster by [[Mark Davies]]]]
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by [[Federico García Lorca]]
  
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by [[Paul Hodson]]
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Directed by [[Samantha Golton]]  
  
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Directed by [[Mark Ireson]]
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Performances: 21st-25th April [[2009]], [[Prompt Corner]]
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Performances: April [[2009]], [[Prompt Corner]]
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== Introduction ==
 
== Introduction ==
  
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Lorca was executed at the hands of the fascist party during the Spanish Civil War and never saw this play produced.  This is the third play in Lorca’s Rural works, which took as their subject “the countryfolk of Andalucía and their suffering”.  Appearing after Blood Wedding and Yerma the play presents a challenge as whilst like the other two in the series, it uses the lyrical language of Andalucía, unlike the previous two it is in prose, and in the author’s own words meant to be a photographic documentary. 
  
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After the death of her second husband, authoritarian Bernarda imposes an 8 year period of mourning on her family – none of her daughters shall leave the house during that time, save the eldest, Angustias, who is to be married to Pepe El Romano.  The play deals with the themes of authority, freedom, passion and suffering, whilst exploring the position of women in Spanish society.
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We will be using A S Kline’s translation of the play as a starting point but will be referring to other versions and back to the original text in discussion with the cast so that we can do the language justice together.
  
 
== Cast ==
 
== Cast ==
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* Bernarda Alba - [[Jenny Gammon]]
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* María Josefa, her mother - [[Anne Greenslade]]
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* La Poncia, her maid - [[Margaret Glenn]]
  
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Her daughters
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* Angustias - [[Joanna Hughes]]
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* Magdalena - [[Sanchia Leddy]]
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* Amelia - [[Liz Nesfield]]
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* Martirio - [[Karen Webb]]
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* Adela - [[Abi Sharma]]
  
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* Maid - [[Clíodhna McAllister]] - Understudy [[Juliet Holden]]
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* Beggarwoman - [[Jill Fenton]]
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* Prudencia - [[Jeanette Hoile]]
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* Chorus of mourners - [[Christina Andrews]], [[Induja Bandara]], [[Jenny Clements]], [[Kristy Davis]], [[Caroline Durant]], [[Juliet Holden]], [[Raffaella Patmore]], [[Pepa Rivera]]
  
 
== Crew ==
 
== Crew ==
  
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*Stage Manager - [[SM Name]]
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*PA - [[Anna York]]
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*Lighting Design - [[Designer Name]]
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*Stage Manager - [[Mark Ireson]]
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*Lighting Operator - [[Operator Name]]
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*Assistant Stage Manager - [[Kathryn Ramsay]]
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*Lighting design - [[James Webb]] and [[Anna York]]
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*Sound design - [[James Webb]]
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*Lighting operation - [[James Webb]] / [[Anna York]]
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*Costumes - [[Lisa Thomas]]
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*Original music - [[Karen Webb]]
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*Maria Josefa's lamb made by [[Lisa Thomas]]
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*Reapers: (voices off) - [[Alan Walker]], [[Bob Callender]], [[Neil Carmichael]], [[Adam Crook]], [[David Haviland]], [[Steve Imrie]], [[Jason Lord]], [[Lionel Monks]].
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* Extra thanks to: [[Alan Buckman]], Box Office Team, The Rosendale, Ego Nightclub, [[Jack King]], [[Carole Coyne]], [[Helen Jones]], Josie Peer, [[Peter Stevens]], cast and crew of [[Round and Round the Garden (2009)]], Team Scholsey and assorted babysitters.
  
 
== Reviews ==
 
== Reviews ==
  
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Some review quotes go here
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From the SLT discussion board:
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"Samantha Golton (director) transports you abruptly from the SLT into the back waters of Spain. The oppressive heat and the claustrophobia of the house are brought vividly to life (including by the atmospheric lighting); we are stuck in a poverty-stricken village, where the well is dry, dogs bark and god-fearing neighbours pry and gossip. The House of Bernada Alba is ruled by a cruel and domineering matriarch obsessed with revering the dead and having scant appreciation of the needs of her daughters, whom she has confined to the house. Strong performances aplenty, the daughters' individual characters being well defined, heightening the drama. We also have a well-meaning but put-upon servant and a distraught grandmother, who has been driven pretty well out of her wits by years of abuse at the hands of her fierce daughter. A well directed and moving piece of drama: go see." Gorice XII
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"As someone who was not particularly drawn to this play on paper, I have to say what an incredibly engaging, well directed and well cast production this is. The simplistic set really complemented the intricate relations between the characters on stage, and the claustrophobic oppression created by the sisters' confinement was beautifully conveyed. Every person on stage performed with high energy and focus and I felt myself completely drawn in. Bearing in mind the very high standard of acting, I am hesitant to say so but... my personal "man of the match" award would go to Karen Webb for, not only her incredibly real and emotion evoking portrayal of Martirio, but also her contribution to the music used (utterly spot on), and her amazing ability to convince us she's not from Scotland (the girl is an accent MACHINE!). Also a special note should go to Juliet Holden, in relation to whom you would not have known she only stepped into her part on Saturday had there not been an announcement pre-show. Well done to all involved." Calamity
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 +
 
 +
"Well done all round - very powerful production" Katb
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"It was absolutely absorbing... like I was sitting in their front room.  It almost felt like I was a voyeur, intruding on a very personal thing.  I loved it."  GC
  
 
== Gallery ==
 
== Gallery ==
  
  
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'''[http://www.photos.sltarchive.co.uk/the-house-of-bernarda-alba/ See the show photos here]'''
  
 
== Reminiscences and Anecdotes ==
 
== Reminiscences and Anecdotes ==
  
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Members are encouraged to write about their experiences of working on or seeing this production.  Please leave your name.  Anonymous entries may be deleted.
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Due to the indisposition of [[Cliodhna McAllister]], the part of The Maid will be played by [[Juliet Holden]].
  
 
== See Also ==
 
== See Also ==
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Have there been other SLT productions of this play?  Link to them here.
 
  
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Or add anything that is related ''within this site''.  The author's page for instance or other plays with a similar theme.
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*[[The House of Bernarda Alba (1973)]] Main Theatre
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*[[The House of Bernarda Alba (1979)]] Prompt Corner
  
 
== References ==
 
== References ==
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*'''[http://en.wikipedia.org/wiki/The_House_of_Bernarda_Alba_(play) This play on wikipedia]
 
*'''[http://en.wikipedia.org/wiki/The_House_of_Bernarda_Alba_(play) This play on wikipedia]
  
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[[Category:Productions]]
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[[Category:Productions|House of Bernarda Alba (2009), The]]
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[[Category:Prompt Corner Productions]]
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[[Category:Prompt Corner Productions|House of Bernarda Alba (2009), The]]

Latest revision as of 07:11, 24 February 2024

Poster by Mark Davies

by Federico García Lorca

Directed by Samantha Golton

Performances: 21st-25th April 2009, Prompt Corner


Introduction

Lorca was executed at the hands of the fascist party during the Spanish Civil War and never saw this play produced. This is the third play in Lorca’s Rural works, which took as their subject “the countryfolk of Andalucía and their suffering”. Appearing after Blood Wedding and Yerma the play presents a challenge as whilst like the other two in the series, it uses the lyrical language of Andalucía, unlike the previous two it is in prose, and in the author’s own words meant to be a photographic documentary.

After the death of her second husband, authoritarian Bernarda imposes an 8 year period of mourning on her family – none of her daughters shall leave the house during that time, save the eldest, Angustias, who is to be married to Pepe El Romano. The play deals with the themes of authority, freedom, passion and suffering, whilst exploring the position of women in Spanish society.

We will be using A S Kline’s translation of the play as a starting point but will be referring to other versions and back to the original text in discussion with the cast so that we can do the language justice together.

Cast

Her daughters

Crew


Reviews

From the SLT discussion board:

"Samantha Golton (director) transports you abruptly from the SLT into the back waters of Spain. The oppressive heat and the claustrophobia of the house are brought vividly to life (including by the atmospheric lighting); we are stuck in a poverty-stricken village, where the well is dry, dogs bark and god-fearing neighbours pry and gossip. The House of Bernada Alba is ruled by a cruel and domineering matriarch obsessed with revering the dead and having scant appreciation of the needs of her daughters, whom she has confined to the house. Strong performances aplenty, the daughters' individual characters being well defined, heightening the drama. We also have a well-meaning but put-upon servant and a distraught grandmother, who has been driven pretty well out of her wits by years of abuse at the hands of her fierce daughter. A well directed and moving piece of drama: go see." Gorice XII


"As someone who was not particularly drawn to this play on paper, I have to say what an incredibly engaging, well directed and well cast production this is. The simplistic set really complemented the intricate relations between the characters on stage, and the claustrophobic oppression created by the sisters' confinement was beautifully conveyed. Every person on stage performed with high energy and focus and I felt myself completely drawn in. Bearing in mind the very high standard of acting, I am hesitant to say so but... my personal "man of the match" award would go to Karen Webb for, not only her incredibly real and emotion evoking portrayal of Martirio, but also her contribution to the music used (utterly spot on), and her amazing ability to convince us she's not from Scotland (the girl is an accent MACHINE!). Also a special note should go to Juliet Holden, in relation to whom you would not have known she only stepped into her part on Saturday had there not been an announcement pre-show. Well done to all involved." Calamity


"Well done all round - very powerful production" Katb


"It was absolutely absorbing... like I was sitting in their front room. It almost felt like I was a voyeur, intruding on a very personal thing. I loved it." GC

Gallery

See the show photos here

Reminiscences and Anecdotes

Due to the indisposition of Cliodhna McAllister, the part of The Maid will be played by Juliet Holden.

See Also

References

<references/>

External Links

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