Difference between revisions of "The House of Bernarda Alba (1973)"
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[[Image:CHANGETHISNAME.jpg|thumb|300px|Poster by [[Poster Designer]]]] | [[Image:CHANGETHISNAME.jpg|thumb|300px|Poster by [[Poster Designer]]]] | ||
| − | by [[ | + | by [[Federico García Lorca]] |
Directed by [[John B. Anderson]] assisted by [[Robin Gaff]] | Directed by [[John B. Anderson]] assisted by [[Robin Gaff]] | ||
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== Introduction == | == Introduction == | ||
| − | + | ||
| + | <i>from wikipedia</i> The play centers on the events of an Andalusian house during a period of mourning, in which the title character (age 60) wields total control over her five daughters Angustias (39 years old), Magdalena (30), Amelia (27), Martirio, (24), and Adela (20). The housekeeper (La Poncia) and Bernarda's mother (María Josefa) also live there. The deliberate exclusion of any male character from the action is highly significant as it helps to build up the high level of sexual tension that is present throughout the play. Pepe "el Romano", the love interest of Bernarda's daughters and suitor of Angustias, never actually appears on stage. | ||
| + | The play explores themes of repression, passion, and conformity, and inspects the effects of men upon women. Bernarda's cruel tyranny over her daughters foreshadows the stifling nature of Franco's fascist regime, which was to arrive just a few weeks after Lorca finished writing his play. Lorca's association with a number of intellectuals who belonged to the Communist Party of Spain such as Rafael Alberti was to result in his assassination shortly after the outbreak of Civil War in July 1936. | ||
== Cast == | == Cast == | ||
| Line 19: | Line 21: | ||
*Women - [[Irene Moore]], [[Myra Craig]] & [[Gillian Penrose]] | *Women - [[Irene Moore]], [[Myra Craig]] & [[Gillian Penrose]] | ||
*Girl - [[Claire Sandford]] | *Girl - [[Claire Sandford]] | ||
| − | *Augustius - [[Sheila | + | *Augustius - [[Sheila Rees]] |
*Amelia - [[Susan Cooksey]] | *Amelia - [[Susan Cooksey]] | ||
*Martirio - [[Fizz Gaff]] | *Martirio - [[Fizz Gaff]] | ||
*Adela - [[Sarah Saunders]] | *Adela - [[Sarah Saunders]] | ||
*Magdalena - [[Kate Phillips]] | *Magdalena - [[Kate Phillips]] | ||
| − | *Bernarda Alba - [[Irene | + | *Bernarda Alba - [[Irene Winbourne]] |
*Maria Josefa - [[Constance Hunt]] | *Maria Josefa - [[Constance Hunt]] | ||
*Prudencia - [[Doris Emmerton]] | *Prudencia - [[Doris Emmerton]] | ||
== Crew == | == Crew == | ||
| − | + | *Stage Director - [[D'Auvergne Barnard]] | |
| − | *Stage | + | *Assistants - [[Ray Seaton]] & [[Lawrence Day]] |
| − | *Lighting Design - [[ | + | *Designer - [[Bernie Bullbrook]] |
| − | *Lighting Operator - [[ | + | *Lighting Design - [[Ken Gilley]] |
| + | *Lighting Operator - [[Tony Rapson]] | ||
| + | *Costume Design Execution - [[Pauline Slater]] | ||
| + | *Sound - [[Malcolm Saunders]] & [[Sandra Gillon]] | ||
| + | *Prompt - [[John Lyne]]? (in programme as John Line) | ||
| + | *F.O.H. Manager - [[Frank Howcutt]] | ||
| + | *Box Office Manger - [[Ralph Wade]] | ||
== Reviews == | == Reviews == | ||
| Line 40: | Line 48: | ||
== Gallery == | == Gallery == | ||
| + | <gallery caption="Photos by [[Bim Harding]] - not fully restored" widths="300px" heights="300px" perrow="5" > | ||
| + | Image:BernadaAlba001.jpg | ||
| + | Image:BernadaAlba002.jpg | ||
| + | Image:BernadaAlba003.jpg | ||
| + | Image:BernadaAlba004.jpg | ||
| + | </gallery> | ||
== Reminiscences and Anecdotes == | == Reminiscences and Anecdotes == | ||
| Line 49: | Line 63: | ||
== See Also == | == See Also == | ||
| − | *[[The House of Bernarda Alba (1979) | + | *[[The House of Bernarda Alba (1979)]] |
| − | *[[The House of | + | *[[The House of Bernarda Alba (2009)]] |
== References == | == References == | ||
| Line 60: | Line 74: | ||
| − | [[Category:Productions]] | + | [[Category:Productions|House of Bernarda Alba (1973), The]] |
| − | [[Category:Bell Theatre Productions]] | + | [[Category:Bell Theatre Productions|House of Bernarda Alba (1973), The]] |
Latest revision as of 18:47, 26 November 2017
Directed by John B. Anderson assisted by Robin Gaff
Performances: Tue 10th – Sat 14th April 1973, Theatre
Contents
Introduction
from wikipedia The play centers on the events of an Andalusian house during a period of mourning, in which the title character (age 60) wields total control over her five daughters Angustias (39 years old), Magdalena (30), Amelia (27), Martirio, (24), and Adela (20). The housekeeper (La Poncia) and Bernarda's mother (María Josefa) also live there. The deliberate exclusion of any male character from the action is highly significant as it helps to build up the high level of sexual tension that is present throughout the play. Pepe "el Romano", the love interest of Bernarda's daughters and suitor of Angustias, never actually appears on stage. The play explores themes of repression, passion, and conformity, and inspects the effects of men upon women. Bernarda's cruel tyranny over her daughters foreshadows the stifling nature of Franco's fascist regime, which was to arrive just a few weeks after Lorca finished writing his play. Lorca's association with a number of intellectuals who belonged to the Communist Party of Spain such as Rafael Alberti was to result in his assassination shortly after the outbreak of Civil War in July 1936.
Cast
- Servant - Ivy Oram
- Poncia - Lillian Frith
- Women - Irene Moore, Myra Craig & Gillian Penrose
- Girl - Claire Sandford
- Augustius - Sheila Rees
- Amelia - Susan Cooksey
- Martirio - Fizz Gaff
- Adela - Sarah Saunders
- Magdalena - Kate Phillips
- Bernarda Alba - Irene Winbourne
- Maria Josefa - Constance Hunt
- Prudencia - Doris Emmerton
Crew
- Stage Director - D'Auvergne Barnard
- Assistants - Ray Seaton & Lawrence Day
- Designer - Bernie Bullbrook
- Lighting Design - Ken Gilley
- Lighting Operator - Tony Rapson
- Costume Design Execution - Pauline Slater
- Sound - Malcolm Saunders & Sandra Gillon
- Prompt - John Lyne? (in programme as John Line)
- F.O.H. Manager - Frank Howcutt
- Box Office Manger - Ralph Wade
Reviews
Some review quotes go here
Gallery
- Photos by Bim Harding - not fully restored
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
References
<references/>
