Difference between revisions of "The House of Bernarda Alba (1973)"

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*Women - [[Irene Moore]], [[Myra Craig]] & [[Gillian Penrose]]
 
*Women - [[Irene Moore]], [[Myra Craig]] & [[Gillian Penrose]]
 
*Girl - [[Claire Sandford]]
 
*Girl - [[Claire Sandford]]
*Augustius - [[Sheila Reese]]
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*Augustius - [[Sheila Rees]]
 
*Amelia - [[Susan Cooksey]]
 
*Amelia - [[Susan Cooksey]]
 
*Martirio - [[Fizz Gaff]]
 
*Martirio - [[Fizz Gaff]]
 
*Adela - [[Sarah Saunders]]
 
*Adela - [[Sarah Saunders]]
 
*Magdalena - [[Kate Phillips]]
 
*Magdalena - [[Kate Phillips]]
*Bernarda Alba - [[Irene WImbourne]]
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*Bernarda Alba - [[Irene Winbourne]]
 
*Maria Josefa - [[Constance Hunt]]
 
*Maria Josefa - [[Constance Hunt]]
 
*Prudencia - [[Doris Emmerton]]
 
*Prudencia - [[Doris Emmerton]]
  
 
== Crew ==
 
== Crew ==
*Stage Director - [[D'Avergne Bernard]]
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*Stage Director - [[D'Auvergne Barnard]]
 
*Assistants - [[Ray Seaton]] & [[Lawrence Day]]
 
*Assistants - [[Ray Seaton]] & [[Lawrence Day]]
 
*Designer - [[Bernie Bullbrook]]
 
*Designer - [[Bernie Bullbrook]]
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== Gallery ==
 
== Gallery ==
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<gallery caption="Photos by [[Bim Harding]] - not fully restored" widths="300px" heights="300px" perrow="5" >
  
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Image:BernadaAlba001.jpg
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Image:BernadaAlba002.jpg
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Image:BernadaAlba003.jpg
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Image:BernadaAlba004.jpg
  
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</gallery>
  
 
== Reminiscences and Anecdotes ==
 
== Reminiscences and Anecdotes ==

Latest revision as of 18:47, 26 November 2017

Poster by Poster Designer

by Federico García Lorca

Directed by John B. Anderson assisted by Robin Gaff

Performances: Tue 10th – Sat 14th April 1973, Theatre


Introduction

from wikipedia The play centers on the events of an Andalusian house during a period of mourning, in which the title character (age 60) wields total control over her five daughters Angustias (39 years old), Magdalena (30), Amelia (27), Martirio, (24), and Adela (20). The housekeeper (La Poncia) and Bernarda's mother (María Josefa) also live there. The deliberate exclusion of any male character from the action is highly significant as it helps to build up the high level of sexual tension that is present throughout the play. Pepe "el Romano", the love interest of Bernarda's daughters and suitor of Angustias, never actually appears on stage. The play explores themes of repression, passion, and conformity, and inspects the effects of men upon women. Bernarda's cruel tyranny over her daughters foreshadows the stifling nature of Franco's fascist regime, which was to arrive just a few weeks after Lorca finished writing his play. Lorca's association with a number of intellectuals who belonged to the Communist Party of Spain such as Rafael Alberti was to result in his assassination shortly after the outbreak of Civil War in July 1936.

Cast

Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

References

<references/>

External Links