Difference between revisions of "Home (1973)"
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== Introduction == | == Introduction == | ||
| − | + | In the grounds of a house: the present. | |
== Cast == | == Cast == | ||
| Line 23: | Line 23: | ||
== Crew == | == Crew == | ||
| − | *Stage Manager - [[ | + | *Stage Manager - [[Ann Mattey]] |
| − | *Lighting Design - [[ | + | *Assistant Stage Manager - [[Sara Saunders]] |
| − | * | + | *Personal Assistant to the Producer - [[Eileen Nelson]] |
| + | *Lighting - [[Tony Rapson]] | ||
| + | *Set Design & Construction - [[John Harris]] | ||
| + | *Wardrobe - [[Hilda Coulden]] | ||
| + | *Front of House & Box Office - [[Frank Howcutt]] | ||
== Reviews == | == Reviews == | ||
| + | "Troubled Minds" | ||
| − | + | The "home" of David Storey's title might be a country guest house or a secluded hotel in Cheltenham. It is a long time before the author lets us discover that Jack and Harry, two gentlemen of exquisite manners who while away the morning in the walled grounds are in fact inmates of a mental home. | |
| + | Later on we meet two coarse-grained ladies and a brain-damaged ex-wrestler, and piece together, mainly by hint and allusion, the story of their afflictions. Who would guess, for example, that Jack has a history of molesting small girls? | ||
| − | + | The play, consisting of mainly fragmented sentences and broken rhythms, is deliberately undramatic.., even anti-dramatic. The S.L.T.C. Newsletter rather oversells it as "one of the finest plays written during the last few decades", but it is undeniably written with great sensibility, and gives wonderul opportunities to both cast and producer. | |
| + | These have been duly grasped, and this week marks a return to all S.L.T.C.'s old glories. The framework is provided by an autumnal set of superb design and construction by John Harris, whose production contains some of the best acting seen at the Centre in some time. | ||
| + | John Lyne (Harry) and Raymond Nelson (Jack) are beautifully cast, and work together with uncanny empathy during a long (35 minutes) opening scene which is, technically, a real brute. The two actors measure out their short sentences with delicate variation of pause and cadence. | ||
| + | |||
| + | As Marjorie and Kathleen, Lilian Frith and Pamela Lyne build up their own picture on more raucous lines. The latter is at times inclined to overstate the obvious, but there is little enough fault to find with either. | ||
| + | |||
| + | One detects a slight weakness in the casting of Chris Smith as Alfred. He conveys well the man's mindless incomprehension, but might do more to suggest the frightening reserves of physical power, as expressed in his treatment of inanimate objects. | ||
| + | |||
| + | Donald Madgwick, published in The Croydon Advertiser. | ||
| + | |||
| + | == Gallery == | ||
| + | <gallery caption="Photos by [[Bim Harding]] - only first fully restored" widths="300px" heights="300px" perrow="5"> | ||
| + | Image:Home001.jpg|[[John Lyne]], [[Pam Lyne]], [[Lillian Frith]] | ||
| + | Image:Home002.jpg | ||
| + | Image:Home003.jpg|Badly glue damaged in archive book | ||
| + | Image:Home004.jpg|Badly glue damaged in archive book some restoration attempted | ||
| + | Image:Home005.jpg|Badly glue damaged in archive book | ||
| + | Image:Home006.jpg | ||
| + | </gallery> | ||
== Reminiscences and Anecdotes == | == Reminiscences and Anecdotes == | ||
Latest revision as of 16:38, 28 November 2017
by David Storey
Produced by John Harris
Performances: Dates not in archive book November 1973, Theatre
Contents
Introduction
In the grounds of a house: the present.
Cast
- Harry - John Lyne
- Jack - Raymond Nelson
- Marjorie - Lilian Frith
- Kathleen - Pam Lyne
- Alfred - Chris Smith
Crew
- Stage Manager - Ann Mattey
- Assistant Stage Manager - Sara Saunders
- Personal Assistant to the Producer - Eileen Nelson
- Lighting - Tony Rapson
- Set Design & Construction - John Harris
- Wardrobe - Hilda Coulden
- Front of House & Box Office - Frank Howcutt
Reviews
"Troubled Minds"
The "home" of David Storey's title might be a country guest house or a secluded hotel in Cheltenham. It is a long time before the author lets us discover that Jack and Harry, two gentlemen of exquisite manners who while away the morning in the walled grounds are in fact inmates of a mental home.
Later on we meet two coarse-grained ladies and a brain-damaged ex-wrestler, and piece together, mainly by hint and allusion, the story of their afflictions. Who would guess, for example, that Jack has a history of molesting small girls?
The play, consisting of mainly fragmented sentences and broken rhythms, is deliberately undramatic.., even anti-dramatic. The S.L.T.C. Newsletter rather oversells it as "one of the finest plays written during the last few decades", but it is undeniably written with great sensibility, and gives wonderul opportunities to both cast and producer.
These have been duly grasped, and this week marks a return to all S.L.T.C.'s old glories. The framework is provided by an autumnal set of superb design and construction by John Harris, whose production contains some of the best acting seen at the Centre in some time.
John Lyne (Harry) and Raymond Nelson (Jack) are beautifully cast, and work together with uncanny empathy during a long (35 minutes) opening scene which is, technically, a real brute. The two actors measure out their short sentences with delicate variation of pause and cadence.
As Marjorie and Kathleen, Lilian Frith and Pamela Lyne build up their own picture on more raucous lines. The latter is at times inclined to overstate the obvious, but there is little enough fault to find with either.
One detects a slight weakness in the casting of Chris Smith as Alfred. He conveys well the man's mindless incomprehension, but might do more to suggest the frightening reserves of physical power, as expressed in his treatment of inanimate objects.
Donald Madgwick, published in The Croydon Advertiser.
Gallery
- Photos by Bim Harding - only first fully restored
Badly glue damaged in archive book
Badly glue damaged in archive book some restoration attempted
Badly glue damaged in archive book
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
