Difference between revisions of "Macbeth (2004)"

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(See Also)
 
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by [[William Shakespeare]]
 
by [[William Shakespeare]]
  
Directed by [[Anton Krause]]  
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Directed by [[Anton Krause]], Assistant Director [[Stuart Draper]]
  
 
Performances: Wed 15th – Sat 18th December [[2004]], [[Prompt Corner]]  
 
Performances: Wed 15th – Sat 18th December [[2004]], [[Prompt Corner]]  
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*Donalbain - [[Mark Davies]]
 
*Donalbain - [[Mark Davies]]
 
*Banquo - [[Jack King]]
 
*Banquo - [[Jack King]]
*MacDuff- [[Dermot Jones]]
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*Macduff- [[Dermot Jones]]
 
*Lennox - [[Brian Yansen]]
 
*Lennox - [[Brian Yansen]]
 
*Ross - [[Matthew Lyne]]
 
*Ross - [[Matthew Lyne]]
*Monteith - [[Mike Smart]]
 
 
*Angus - [[Nicky Pruss]]
 
*Angus - [[Nicky Pruss]]
 
*Monteith - [[Mike Smart]]
 
*Monteith - [[Mike Smart]]
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*Fleance - [[David Clements]]
 
*Fleance - [[David Clements]]
 
*Seyton - [[Stuart Draper]]
 
*Seyton - [[Stuart Draper]]
*Lady Macduff - [[Kate Monroe]]
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*Lady Macduff - [[Kate Monro]]
*Son (of MacDuff) - [[]]
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*Son (of Macduff) - [[Deaglan Whelan]]
 
*Gentlewoman - [[Maria Bates]]
 
*Gentlewoman - [[Maria Bates]]
 
*Doctor - [[Carole Coyne]]
 
*Doctor - [[Carole Coyne]]
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*2nd Murderer - [[Anton Krause]]
 
*2nd Murderer - [[Anton Krause]]
 
*Old Man - [[John Lyne]]
 
*Old Man - [[John Lyne]]
*Cream Faced Loon - [[David Lomas]]
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*Messenger - [[David Lomas]]
  
 
== Crew ==
 
== Crew ==
  
*Stage Manager - [[Jane Moorhead]]
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*Stage Manager - [[Jane Codd|Jane Moorhead]]
*Production assistant - [[Kat Moody|Kat Boyce]]
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*Asistant Stage Manager - [[Linda East]]
*Lighting Design - [[Stuart Draper]]
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*Production Assistant - [[Kat Moody|Kat Boyce]]
*Lighting/Sound Operator - [[Sarah Farage]]
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*Lighting & Sound Design - [[Stuart Draper]]
 +
*Lighting Operator - [[Sarah Farage]]
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*Sound Operator - [[Paula Kelly]]
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*Wardrobe - [[Kat Moody|Kat Boyce]]
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*Lady Macbeth's dress Design & Manufacture - [[Alan Buckman]]
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*Second Unit Director - [[Lisa Marsh]]
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*AV Cast - Patrick Pilcher, Rebecca Mays and Jane Dickerson
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 +
* Special thanks to: [[Will Howard]] and the [[Noises Off (2004)]] company, Lancasters, [[Val Williams]], [[Jenny Newstead|Jenny Bennett]], [[Jess Osorio]], [[Alan Buckman]].
  
 
== Reviews ==
 
== Reviews ==
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== Gallery ==
 
== Gallery ==
 
<gallery>
 
<gallery>
Image:Macbeth cast.jpg|Cast of MacBeth, with the ghost.
+
Image:Macbeth cast.jpg|Cast of Macbeth, with the ghost.
 
</gallery>
 
</gallery>
  
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== See Also ==
 
== See Also ==
Have there been other SLT productions of this play?  Link to them here.
 
  
Or add anything that is related ''within this site''. The author's page for instance or other plays with a similar theme.
+
*[[Macbeth (1977)]]
 +
*[[Macbeth (1980)]]
 +
* [[The Farndale ... Macbeth (1987)|The Farndale Avenue Housing Estate Townswomen's Guild Dramatic Society's production of ''Macbeth'']] (1987)
 +
* [[The Farndale ... Macbeth (2005)|The Farndale Avenue Housing Estate Townswomen's Guild Dramatic Society's production of ''Macbeth'']] (2005)
 +
*[[Macbeth (2015)]]
 +
*[[Macbeth (2022)]]
  
 
== References ==
 
== References ==

Latest revision as of 11:06, 21 May 2022

Poster by Stuart Draper

by William Shakespeare

Directed by Anton Krause, Assistant Director Stuart Draper

Performances: Wed 15th – Sat 18th December 2004, Prompt Corner


Introduction

Macbeth. That’s the one with the witches isn’t it? “Hubble, bubble, toil and trouble” and all that. Toothless old crones lobbing dubious body parts, newly hacked off various creatures of the night, into a big pot. Oh, and there’s a bit about a moving wood and it’s all kings and castles and kilts and stuff, like the flashbacks in Highlander only with the brightness turned down.

Well no. Not this time. For me Macbeth isn’t about any of these things. What it is about is one man’s ambition driving him into a downward spiral of violence until it consumes and destroys all those around him and threatens to bring down the very fabric of the society in which he lives. It is about his relationship with his wife, who at first supports and indeed drives him onward in his murderous deeds but then finds that she is unable to cope with the moral consequences. It is about his changing relationships with his friends who once were valued and loved fellow men-at-arms and who become mere obstacles to his increasingly self-centered, paranoid psyche.

This is the Macbeth I have always wanted to portray, and I would like to put on the play without any of the supernatural and historical trappings, which so often get in the way of the real story. My Macbeth will be set in the present and will contain no supernatural elements whatsoever. The witches will be voices in Macbeth’s head, heard only by him, and will represent the darker half of his psyche, the ambition which he dare not admit is his own. This is perfectly consistent with other representations of his madness such as the air-drawn dagger and Banquo’s ghost, both of which only he sees.

The context will be that of a modern organised-crime family with Duncan at the head and Macbeth, Banquo et al his captains. This setting allows us to replicate the hierarchical structure and the context of family and succession essential to the plot. It also explains why people kill each other. Don’t think, however, that it means mumbling, extremes of method acting and Italian-American accents. Neither will any of the dialogue be changed to support this interpretation (although there will be some cuts).

Director's Notes <ref>Director's Notes - SLT Website</ref>

Cast

Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

References

<references/>

External Links