Difference between revisions of "Daisy Pulls It Off (1997)"
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*Stage Manager - [[Jane Codd]] | *Stage Manager - [[Jane Codd]] | ||
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*Lighting Design - [[Keefe Browning]] | *Lighting Design - [[Keefe Browning]] | ||
*Lighting Operator - [[Sarah Walters]] | *Lighting Operator - [[Sarah Walters]] | ||
Latest revision as of 13:25, 2 February 2020
Directed by Keefe Browning
Performances: Tues 3rd - Sat 7th June 1997 Bell Theatre
Contents
Introduction
Daisy pulls it off is a parody of life in an English boarding school. The heroine, a girl from a poor background, is forced to face and overcome snobbish prejudice from the other schoolgirls. Along the way she searches for the missing treasure that could save the fortunes of the School and discovers the secret of the mysterious stranger seen around the grounds.
Like St Trinian's, the schoolgirls are played by older actresses, sometimes (again like St Trinian's) the headmistress is played by a man, but not in this production.
Cast
- Miss Gibson – Pam Jarvis
- Daisy Meredith - Maxine Canham
- Sybil Burlington - Maggie Cearns
- Mother - Magda Morton
- Belinda Mathieson - Magda Morton
- Clare Beaumont - Penny Butler
- Trixie Martin - Fiona Daffern
- Monica Smithers - Melanie Green
- Alice Fitzpatrick - Renee Haoust
- Miss Granville - Linda East
- Mr Scoblowski – Peter March
- Mademoiselle - Melanie Green
- Dora Johnstone - Trudi Kent
- Winnie Irving - Polly March
- Mr Thompson – Lionel Monks
- The Girls – Jane Codd, Sarah John, Yvonne Walters & Linda Hinde
Crew
- Stage Manager - Jane Codd
- Assistant Stage Managers - Sarah John, Yvonne Walters & Linda Hinde
- Lighting Design - Keefe Browning
- Lighting Operator - Sarah Walters
- Sound Recording - Brian Fretwell
- Sound Operator - Paul O'Connor
- Wardrobe & Special Props - Val Williams
- Set Design - Alan Buckman
- Set Construction - Alan Buckman, Robert Stocks & Keefe Browning
- P.A. - Robert Stocks
- Rehearsal Prompt - Betty Gibson
- Repetitieurs - Helen Chadney
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
References
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