Difference between revisions of "Medea (2003)"

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by [[Euripides]]
 
by [[Euripides]]
  
Directed by [[Matt Bartlett]]  
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Directed by [[Matt Bartlett]], Co-directed by [[Elinor Morgan-Jones]]
  
 
Performances: Tue 1st – Sat 5th February [[2003]], [[Bell Theatre]]
 
Performances: Tue 1st – Sat 5th February [[2003]], [[Bell Theatre]]
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== Introduction ==
 
== Introduction ==
  
''Medea'' tells an ancient and horrific tale with startling immediacy. As the play opens we are instantly pitched into the midst of a family in crisis. To her mistresss screams of anguish offstage, Medeas nurse quickly fills in the storys background. Jason, hero of the Argonauts and the quest for the golden fleece has abandoned Medea and their two sons and plans to marry the daughter of Creon, King of Corinth where the family have taken refuge. From this dramatic opening unfolds a story of assured clarity and emotional complexity that make it astonishingly modern. As the women of Corinth plead with Medea for calm she finds herself increasingly isolated as both Creon and Jason savagely banish her from Corinth. Fortunately, she manages to persuade Aegeus, King of Athens to give her sanctuary. Before leaving, however, she plans a brutal revenge on the man who has destroyed her happiness. She uses witchcraft to slaughter Creon and his daughter in an horrific fashion before murdering her own sons to ensure Jason's misery is total.  
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''Medea'' tells an ancient and horrific tale with startling immediacy. As the play opens we are instantly pitched into the midst of a family in crisis. To her mistress's screams of anguish offstage, Medea's nurse quickly fills in the story's background. Jason, hero of the Argonauts and the quest for the golden fleece, has abandoned Medea and their two sons and plans to marry the daughter of Creon, King of Corinth, where the family have taken refuge. From this dramatic opening unfolds a story of assured clarity and emotional complexity that make it astonishingly modern. As the women of Corinth plead with Medea for calm she finds herself increasingly isolated as both Creon and Jason savagely banish her from Corinth. Fortunately, she manages to persuade Aegeus, King of Athens, to give her sanctuary. Before leaving, however, she plans a brutal revenge on the man who has destroyed her happiness. She uses witchcraft to slaughter Creon and his daughter in an horrific fashion before murdering her own sons to ensure Jason's misery is total.  
  
  
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*Medea - [[Helen Chadney]]
 
*Medea - [[Helen Chadney]]
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*Tutor to Medea's sons - [[Mark Compton]]
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*Medea's Sons - [[Ciaran Whelan]] & [[Deaglan Whelan]]
 
*Jason - [[Liam Campbell]]
 
*Jason - [[Liam Campbell]]
*???
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*Nurse - [[Leonie Barron]]
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*Messenger - [[David Green]]
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*Creon King of Corinth - [[Peter March]]
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*Aegeus - [[Richard Watkins]]
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*Chorus of Corinthian women - [[Anna York]], [[Dee Fancett]], [[Maggie Kruger]], [[Sue McAleaney]]
  
 
== Crew ==
 
== Crew ==
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*Stage Manager - [[Jess Osorio]]
 
*Stage Manager - [[Jess Osorio]]
 
*Lighting Design - [[Mike Elliott]]
 
*Lighting Design - [[Mike Elliott]]
*Set Design - [[Stuart Draper]]
 
*Costumes - [[Alan Buckman]]
 
 
*Lighting Operator - [[Emma Howcutt]]
 
*Lighting Operator - [[Emma Howcutt]]
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*Sound Design - [[Andrew Rickinson]]
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*Set Design - [[Stuart Draper]]
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*Costumes design & creation  - [[Alan Buckman]]
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*Set Construction - [[Liam Campbell]], [[Anna York]], [[Bernie Bullbrook]] & [[Dee Fancett]]
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*Poster Design - [[Will Howard]]
  
 
== Reviews ==
 
== Reviews ==
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== See Also ==
 
== See Also ==
Have there been other SLT productions of this play?  Link to them here.
 
  
Or add anything that is related ''within this site''.  The author's page for instance or other plays with a similar theme.
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[[Medea (1975)]]
  
 
== References ==
 
== References ==

Latest revision as of 18:11, 21 January 2013

Poster by Poster Designer

by Euripides

Directed by Matt Bartlett, Co-directed by Elinor Morgan-Jones

Performances: Tue 1st – Sat 5th February 2003, Bell Theatre


Introduction

Medea tells an ancient and horrific tale with startling immediacy. As the play opens we are instantly pitched into the midst of a family in crisis. To her mistress's screams of anguish offstage, Medea's nurse quickly fills in the story's background. Jason, hero of the Argonauts and the quest for the golden fleece, has abandoned Medea and their two sons and plans to marry the daughter of Creon, King of Corinth, where the family have taken refuge. From this dramatic opening unfolds a story of assured clarity and emotional complexity that make it astonishingly modern. As the women of Corinth plead with Medea for calm she finds herself increasingly isolated as both Creon and Jason savagely banish her from Corinth. Fortunately, she manages to persuade Aegeus, King of Athens, to give her sanctuary. Before leaving, however, she plans a brutal revenge on the man who has destroyed her happiness. She uses witchcraft to slaughter Creon and his daughter in an horrific fashion before murdering her own sons to ensure Jason's misery is total.


Cast

Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Medea (1975)

References

<references/>

External Links