Difference between revisions of "Female Transport (1982)"

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*Props - [[Charlotte Hands]]
 
*Props - [[Charlotte Hands]]
 
*Wardrobe - [[Linda Lythwall]]
 
*Wardrobe - [[Linda Lythwall]]
 
== Reviews ==
 
 
Some review quotes go here
 
 
  
 
== Gallery ==
 
== Gallery ==
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== Reminiscences and Anecdotes ==
 
== Reminiscences and Anecdotes ==
  
To provide the constant sound of a creaking sailing ship at sea John Thomas (better known to u members as Sam) re-recorded a loop of ship effect in the bar. A 10 foot loop of quater inch recording tape went across the tape deck then out into the bar, round the stem of a microphone stand and back, the output was recorded into another quater inch tape on a second deck. On minidisc this effect could be repeated indefinitely just by recording once and setting repeat on the player.
+
To provide the constant sound of a creaking sailing ship at sea John Thomas (better known to members as Sam) re-recorded a loop of ship effects in the bar. A 10-foot loop of quarter inch recording tape went across the tape deck then out into the bar, round the stem of a microphone stand and back, the output was recorded into another quarter inch tape on a second deck. On minidisc this effect could be repeated indefinitely just by recording once and setting repeat on the player.
  
As the dates for this show were very near the run of the next Bell Theatre show lighting designer, Roger taylor was llowed to hire in the rig for this show. He used mainly 1KW Rank Strand Pattern 223s which we were rarely use, even now, These provided a very bright setting for the opening of the hold on arrival in Australia.
+
As the dates for this show were very near the run of the next Bell Theatre show, lighting designer Roger Taylor was allowed to hire in the rig for this show. He used mainly 1KW Rank Strand Pattern 223s which we we rarely use, even now. These provided a very bright setting for the opening of the hold on arrival in Australia.
  
 
Brian Fretwell
 
Brian Fretwell
  
 
== See Also ==
 
== See Also ==
 +
 
[[Female Transport (2004)]]
 
[[Female Transport (2004)]]
  

Latest revision as of 16:30, 17 April 2013

Poster by Poster Designer

by Steve Gooch

Directed by Su Hands

Performances: Fri 23rd – Sun 25th April 1982, Prompt Corner


Introduction

Text about the play

Cast

Crew

Gallery

Reminiscences and Anecdotes

To provide the constant sound of a creaking sailing ship at sea John Thomas (better known to members as Sam) re-recorded a loop of ship effects in the bar. A 10-foot loop of quarter inch recording tape went across the tape deck then out into the bar, round the stem of a microphone stand and back, the output was recorded into another quarter inch tape on a second deck. On minidisc this effect could be repeated indefinitely just by recording once and setting repeat on the player.

As the dates for this show were very near the run of the next Bell Theatre show, lighting designer Roger Taylor was allowed to hire in the rig for this show. He used mainly 1KW Rank Strand Pattern 223s which we we rarely use, even now. These provided a very bright setting for the opening of the hold on arrival in Australia.

Brian Fretwell

See Also

Female Transport (2004)

References

<references/>

External Links