Difference between revisions of "Remote (2015)"
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== Crew == | == Crew == | ||
| − | * | + | * Stage Managers - [[Siobhan Campbell]], [[Juliet Holden]] & [[David Workman|Dave Workman]] |
| − | *Lighting & Sound- [[Peter Stevens]] | + | * Lighting & Sound Design & Operation - [[Peter Stevens]] |
| − | *Scenic Design - [[Hazel Hindle]] | + | * Scenic Design - [[Hazel Hindle]] |
| − | *Set Construction - [[Chaz Doyle]], [[Peter Stevens]] & [[David Workman]] | + | * Set Design - [[Peter Stevens]] & [[Dave Workman]] |
| + | * Set Construction - [[Chaz Doyle]], [[Peter Stevens]] & [[David Workman]] | ||
| + | * Fight Direction - [[Anton Krause]] | ||
| + | * Photography - [[Siobhan Campbell]] and [[Peter Stevens]] | ||
| + | |||
| + | == Thanks == | ||
| + | Parents and friends of the cast for supporting their young people through the rehearsal process, [[Stef Smith]], Emma Friend and the Connections team at the National Theatre, the cast and crew of [[Hand in Glove (2015)|Hand in Glove]]/[[Doug & Lillian (2015)|Doug and Lillian]] and [[The Thrill of Love (2015)|The Thrill of Love]], [[Michelle Thomson]], [[Jennifer Palmer Violet]] and her box office team, [[Matthew Lyne]] and the bar staff and [[Jeanette Hoile]] and the front of house staff. | ||
| + | |||
| + | Connections is the National Theatre's annual festival of new plays for youth theatres and schools. Connections aims to: | ||
| + | * Inspire 13-19-year-olds with high-quality new palywriting | ||
| + | * Give companies the knowledge, skills and confidence to bring plays to life | ||
| + | * Involve a wide range of young companies, giving additional support where needed | ||
| + | * Encourage young people to get involved in all aspects of theatre-making | ||
== Reviews == | == Reviews == | ||
Latest revision as of 00:58, 17 February 2015
by Stef Smith
a Youth Group production
Directed by Siobhan Campbell, Juliet Holden, Peter Stevens & David Workman
Performances: Tue 10th – Sat 14th February 2015, Bell Theatre
Preceded by The Mildly Unnerving Wig-Maker of West Norwood
Contents
Introduction
A girl called Antler steps out of her front door and throws her phone on the ground. She stamps on it. She then climbs the tallest tree in the park. She doesn't want to be found, not by anyone. A group of teenagers' lives intertwine over the course of a single evening as they make their way through the park on a seemingly normal night. Remote is a play about protest, power and protecting yourself.
As part of the National Theatre’s Connections scheme, this show was also performed at the Greenwich Theatre on Saturday 21st March.
Cast
- Antler - Evie Nuttgens
- Oil - Finn Allot
- Crystal - Helena Smagala
- Blister - Jake Allott
- Skin - Katie Balme
- Finn - Aleksandra Borzyskowska
- Desk - Louie Chapman
- Chorus - Freya Hewitt, Tabby McLachlan, Rhiannon Sharkey-Thomas & Phoebe Warren
Crew
- Stage Managers - Siobhan Campbell, Juliet Holden & Dave Workman
- Lighting & Sound Design & Operation - Peter Stevens
- Scenic Design - Hazel Hindle
- Set Design - Peter Stevens & Dave Workman
- Set Construction - Chaz Doyle, Peter Stevens & David Workman
- Fight Direction - Anton Krause
- Photography - Siobhan Campbell and Peter Stevens
Thanks
Parents and friends of the cast for supporting their young people through the rehearsal process, Stef Smith, Emma Friend and the Connections team at the National Theatre, the cast and crew of Hand in Glove/Doug and Lillian and The Thrill of Love, Michelle Thomson, Jennifer Palmer Violet and her box office team, Matthew Lyne and the bar staff and Jeanette Hoile and the front of house staff.
Connections is the National Theatre's annual festival of new plays for youth theatres and schools. Connections aims to:
- Inspire 13-19-year-olds with high-quality new palywriting
- Give companies the knowledge, skills and confidence to bring plays to life
- Involve a wide range of young companies, giving additional support where needed
- Encourage young people to get involved in all aspects of theatre-making
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
