Difference between revisions of "Edith In the Dark (2017)"

From sltarchive
Jump to: navigation, search
(Gallery)
(Thanks)
 
(6 intermediate revisions by the same user not shown)
Line 9: Line 9:
  
 
== Introduction ==
 
== Introduction ==
 
+
The play is set in the early 1900s in Edith Nesbit's attic room on Christmas Eve.
 
As midnight swiftly approaches, Edith Nesbit gives a reading of her work. Not one of her cherished children's tales, but her terrifying early horror stories. As the stories unfold it becomes clear all is not what it seems.....someone in the attic is hiding a deadly secret.
 
As midnight swiftly approaches, Edith Nesbit gives a reading of her work. Not one of her cherished children's tales, but her terrifying early horror stories. As the stories unfold it becomes clear all is not what it seems.....someone in the attic is hiding a deadly secret.
  
Line 21: Line 21:
 
== Crew ==
 
== Crew ==
  
*[[Stage Manager]] & Set Designer - [[Chaz Doyle]]
+
* [[Stage Manager]] & Set Designer - [[Chaz Doyle]]
*Lighting & Poster Designer - [[Bryon Fear]]
+
* Assistant Stage Manager - [[Kay George]]
*Sound Design - [[Dave Hollander]]
+
* Lighting & Poster Designer - [[Bryon Fear]]
*Operator - [[Siobhan Campbell]]/[[Anna Callender]]
+
* Sound Design - [[Dave Hollander]]
*Rigging - [[Sean Thomas]] & [[Joel Thomas]]
+
* Operator - [[Siobhan Campbell]]/[[Anna Callender]]
*Construction - [[Mark Ireson]] & [[Bart Thomas]]
+
* Rigging - [[Sean Thomas]] & [[Joel Thomas]]
*Costume Design - [[Lisa Thomas]]
+
* Construction - [[Mark Ireson]] & [[Bart Thomas]]
*Props & Set Dressing - [[Carole Ironside]], [[Marcus Raku-Evans]] & [[Anna Rubincam]]
+
* Costume Design - [[Lisa Thomas]]
*Assistant Director - [[Anna Callender]]
+
* Props & Set Dressing - [[Carole Ironside]], [[Marcus Raku-Evans]] & [[Anna Rubincam]]
*Production Photography - [[Peter Schneiter]]
+
* Assistant Director - [[Anna Callender]]
 +
* Production Photography - [[Peter Schneiter]]
 +
 
 +
== Thanks ==
 +
I would like to thank the whole cast and crew for all their hard work, with a particular nod to [[Anna Callender|Anna]], [[Chaz Doyle|Chaz]] and [[Bryon Fear|Bryon]] for their commitment to this project. [[David Somner]], Amie Salmon and all at [[Stanley Halls]] including the Coffee Craft Crew. [[Caroline Beckett|Cal Beckett]] and the Box Office Team, [[Jeanette Hoile]] and the FOH team, my parents and [[Amanda Hall]] for endless babysitting assistance and, finally, [[Marcus Raku-Evans|Marcus]] for his continuous patience and his support for my drama club (sic) hobby.
  
 
== Reviews ==
 
== Reviews ==
Line 38: Line 42:
  
 
== Gallery ==
 
== Gallery ==
<gallery caption="Photos by [[]]" widths="250px" heights="250px" perrow="5">
+
<gallery caption="Photos by [[Peter Schneiter]]" widths="250px" heights="250px" perrow="5">
 
Image:EITD001.jpg
 
Image:EITD001.jpg
 
Image:EITD002.jpg
 
Image:EITD002.jpg

Latest revision as of 23:43, 20 November 2017

Poster by Bryon Fear

by Philip Meeks

Directed by Catherine Raku-Evans

Performances: Tue 14th – Sat 18th November 2017, Upper Hall, Stanley Halls


Introduction

The play is set in the early 1900s in Edith Nesbit's attic room on Christmas Eve. As midnight swiftly approaches, Edith Nesbit gives a reading of her work. Not one of her cherished children's tales, but her terrifying early horror stories. As the stories unfold it becomes clear all is not what it seems.....someone in the attic is hiding a deadly secret.

Cast

Crew

Thanks

I would like to thank the whole cast and crew for all their hard work, with a particular nod to Anna, Chaz and Bryon for their commitment to this project. David Somner, Amie Salmon and all at Stanley Halls including the Coffee Craft Crew. Cal Beckett and the Box Office Team, Jeanette Hoile and the FOH team, my parents and Amanda Hall for endless babysitting assistance and, finally, Marcus for his continuous patience and his support for my drama club (sic) hobby.

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Have there been other SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

External Links