Difference between revisions of "Old Times (1984)"
(New page: Poster by [[Sharon Hayward]] by Harold Pinter Directed by Juliet Male Performances: Sat 19th & Sun 20th May 1984, Prompt Corner...) |
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| − | *Kate - [[Anna Greenburg | + | *Kate - [[Anna Greenburg]] |
*Anna - [[Sally Lill]] | *Anna - [[Sally Lill]] | ||
| − | *Deeley - [[ | + | *Deeley - [[Mike Mattey]] |
== Crew == | == Crew == | ||
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== Reviews == | == Reviews == | ||
| − | + | "Watching Juliet Male's insidiously subtle production of Harold Pinter's "Old Times" ... was akin to listening to a refined piece of chamber music, let us say a piano trio by one if the French impressionists. | |
| + | On this analogy, the piano is represented by Deely, encompassing the range from softy seductive to dangerously impetuous; the cello by his wife Kate, rich velvet concealing a baleful menace; and the violin by Anna, her friend from old times, the charm and grace of whose melody soars above the others and seems to reconcile all conflict within herself. | ||
| + | |||
| + | The piece was acted with rare refinement by Mike Mattey and Anna Greenburgh as the home couple and Sally Lill as the visitor. The smallest of movements was meticulously plotted, each pregnant pause was weighted word made to count. | ||
| + | |||
| + | Like the ripples on the water referred to in the text, each revelation sent resonances down the depths. Wether Deeley actually did know Anna in times pasr at a pub with the apt name of "The Wayfarers" seemed a small matter. The recollections of Pinter's characters mean more than dull, prosaic facts. | ||
| + | |||
| + | And so with all the other glimpses into a mythical past, Pinter is the theatre's acknowledged poat in this area, and Juliet Male's production reverberated like a finely-tuned instrument." | ||
| + | |||
| + | Donald Madgwick, The Croydon Advertised, reprinted in SCENE with permission. | ||
== Gallery == | == Gallery == | ||
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== External Links == | == External Links == | ||
| − | *'''[http://www. | + | *'''[http://www.haroldpinter.org//plays/title_oldtimes.shtml Old Times on Pinter's official website] |
[[Category:Productions]] | [[Category:Productions]] | ||
[[Category:Prompt Corner Productions]] | [[Category:Prompt Corner Productions]] | ||
Latest revision as of 10:49, 26 February 2015
Directed by Juliet Male
Performances: Sat 19th & Sun 20th May 1984, Prompt Corner
Contents
Introduction
Text about the play
Cast
- Kate - Anna Greenburg
- Anna - Sally Lill
- Deeley - Mike Mattey
Crew
- Stage Manager - Rosina North
- Lighting - Roger Taylor
- Sound Recording - Brian Fretwell
- Sound Operator - Ray Ellison
- Prompt - Charlotte Walsh
- Properties - Frances Johnson & Jeni de Haart
- Production Assistant - Haydn Leaker
Reviews
"Watching Juliet Male's insidiously subtle production of Harold Pinter's "Old Times" ... was akin to listening to a refined piece of chamber music, let us say a piano trio by one if the French impressionists.
On this analogy, the piano is represented by Deely, encompassing the range from softy seductive to dangerously impetuous; the cello by his wife Kate, rich velvet concealing a baleful menace; and the violin by Anna, her friend from old times, the charm and grace of whose melody soars above the others and seems to reconcile all conflict within herself.
The piece was acted with rare refinement by Mike Mattey and Anna Greenburgh as the home couple and Sally Lill as the visitor. The smallest of movements was meticulously plotted, each pregnant pause was weighted word made to count.
Like the ripples on the water referred to in the text, each revelation sent resonances down the depths. Wether Deeley actually did know Anna in times pasr at a pub with the apt name of "The Wayfarers" seemed a small matter. The recollections of Pinter's characters mean more than dull, prosaic facts.
And so with all the other glimpses into a mythical past, Pinter is the theatre's acknowledged poat in this area, and Juliet Male's production reverberated like a finely-tuned instrument."
Donald Madgwick, The Croydon Advertised, reprinted in SCENE with permission.
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
