Difference between revisions of "Arsenic and Old Lace (1973)"
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| + | When one sees two local productions of the same play in a short space of time, one's first temptation is to draw critical comparisons. I shall resist it, except to make the point that S.L.T.C.'s current production of Joseph Kesselring's "Arsenic and Old Lace", by sticking to the original Brooklyn setting, works under a handicap from which Beckenham Theatre Centre's recent production was free. | ||
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| + | By opting for a wholly English style, with Home Counties accents, Beckenham lost little of the play's favour and gained by their use of a milieu with which the actors were all familiar. By comparison, S.L.T.C. make quite a hard labour of alien accents. In compensation, their policemen are more natural as New York cops, and the essentially American style of drama critic Mortimer Brewster is allowed to flourish. | ||
== Gallery == | == Gallery == | ||
Revision as of 11:38, 18 September 2008
Designed & Directed by Michael Archer
Performances: 6th & 8th - 13th January 1973, Theatre
Contents
Introduction
Text about the play
Cast
- Abby Brewster - Lilian Frith
- Rev Dr Harper - Stan Westbey
- Teddy Brewster - Tom Smith
- Elaine Harper - Janice Grady
- Officer Brody - Jim Judd
- Officer Klein - Ken Madden
- Mr Gibbs - Brian Collins
- Body - Keith Cheetham
- Mortimer Brewster - John Lyne
- Martha Brewster - Irene Wimbourne
- Officer O'Hara - Arthur Skinner
- Jonathan Brewster - Malcolm Saunders
- Dr Einstein - Charles Cheetham
- Lieutenant Rooney - Bernard Bullbrook
- Mr Witherspoon - Alex Kanarek
Crew
- Stage Manager - Sheila Rees
- Assistant Stage Mangers - Vera Amato & Roy Savage
- Lighting Design - Tony Rapson
- Lighting Operator - Geoff Mayne
- Set Construction - Mike Archer
- Assisted by - Roy Savage
- Props - Ann Small & Ivy Oram
- Wardrobe - Sue Gyde & Sheila Pasco
- Photographs - B.I.M. Harding
- F.O.H. Manager - Ralph Wade
Reviews
"Little Murders"
When one sees two local productions of the same play in a short space of time, one's first temptation is to draw critical comparisons. I shall resist it, except to make the point that S.L.T.C.'s current production of Joseph Kesselring's "Arsenic and Old Lace", by sticking to the original Brooklyn setting, works under a handicap from which Beckenham Theatre Centre's recent production was free.
By opting for a wholly English style, with Home Counties accents, Beckenham lost little of the play's favour and gained by their use of a milieu with which the actors were all familiar. By comparison, S.L.T.C. make quite a hard labour of alien accents. In compensation, their policemen are more natural as New York cops, and the essentially American style of drama critic Mortimer Brewster is allowed to flourish.
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
