Difference between revisions of "Arsenic and Old Lace (1973)"

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By opting for a wholly English style, with Home Counties accents, Beckenham lost little of the play's favour and gained by their use of a milieu with which the actors were all familiar. By comparison, S.L.T.C. make quite a hard labour of alien accents. In compensation, their policemen are more natural as New York cops, and the essentially American style of drama critic Mortimer Brewster is allowed to flourish.
 
By opting for a wholly English style, with Home Counties accents, Beckenham lost little of the play's favour and gained by their use of a milieu with which the actors were all familiar. By comparison, S.L.T.C. make quite a hard labour of alien accents. In compensation, their policemen are more natural as New York cops, and the essentially American style of drama critic Mortimer Brewster is allowed to flourish.
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The play is directed by Michael Archer, with the assistance of Tony Westhead. Between them, however one divides the responsibilities, they exceed in exploiting the larger lunacy of the plot, but tend to be unsure on points of detail. I lost count of the number of funny lines that were weakened by maladroit timing. Nor was enough attention paid to nuances of characterisation. Some of the minor roles are played so as to go for almost nothing, and over these it is best to draw a decent veil.
  
 
== Gallery ==
 
== Gallery ==

Revision as of 11:43, 18 September 2008

Poster by David Marchant

by Joseph Kesselring

Designed & Directed by Michael Archer

Performances: 6th & 8th - 13th January 1973, Theatre


Introduction

Text about the play

Cast

Crew

Reviews

"Little Murders"

When one sees two local productions of the same play in a short space of time, one's first temptation is to draw critical comparisons. I shall resist it, except to make the point that S.L.T.C.'s current production of Joseph Kesselring's "Arsenic and Old Lace", by sticking to the original Brooklyn setting, works under a handicap from which Beckenham Theatre Centre's recent production was free.

By opting for a wholly English style, with Home Counties accents, Beckenham lost little of the play's favour and gained by their use of a milieu with which the actors were all familiar. By comparison, S.L.T.C. make quite a hard labour of alien accents. In compensation, their policemen are more natural as New York cops, and the essentially American style of drama critic Mortimer Brewster is allowed to flourish.

The play is directed by Michael Archer, with the assistance of Tony Westhead. Between them, however one divides the responsibilities, they exceed in exploiting the larger lunacy of the plot, but tend to be unsure on points of detail. I lost count of the number of funny lines that were weakened by maladroit timing. Nor was enough attention paid to nuances of characterisation. Some of the minor roles are played so as to go for almost nothing, and over these it is best to draw a decent veil.

Gallery

Reminiscences and Anecdotes

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See Also

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References

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External Links