Difference between revisions of "Separate Tables (1974)"
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We can even, after allowing for the great change in social outlook over the past two decades, concede the strengths of these central characters. But the dialogue, once praised for its naturalism, now seems slow and measured, and the denizens of teh Beauregard Hotel are little more than superior stock types. | We can even, after allowing for the great change in social outlook over the past two decades, concede the strengths of these central characters. But the dialogue, once praised for its naturalism, now seems slow and measured, and the denizens of teh Beauregard Hotel are little more than superior stock types. | ||
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| + | Having decided to revive these old war-horses, the South London Theatre Company (sic) boldlyt reverted to the authors's original intention (most unusual amonst amateurs) of having the two pairs of principles played by the same couple. Victor Shaw and Ruth SHettle are two of the most distinguished of the companies players, and the gamble is justified by the chance it gives them to show their versatility. | ||
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| + | "Table by the Window" is genarlly recognised as the weaker play of the two, and I find Mr Shaw less than entirely convincing as John Malcolm, the left-wing politician on the skids. His accent sounds a little contrived, and his personality is surely too bouyant. His abrasive scene with Mrs Railton-Bell and Lady Matheson has the look of merely a mild contretemps, while his rough treatment of his ex-wife comes closer to melodrama than the text indicates. | ||
| + | |||
| + | TBC | ||
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| + | Donald Madgwick, The Croydon Advertiser. | ||
== Gallery == | == Gallery == | ||
Revision as of 12:46, 19 February 2009
Two Plays
Directed by Leslie Lidyard
Performances: February 1974, Theatre
Contents
Introduction to Table by the Window
The action of the play takes place in the Beauregard Private Hotel, Bournemouth, during the winter.
Scene 1: The dining-room. Dinner time.
Scene 2: The lounge. After dinner.
Scene 3: The dining-room. The following morning
Cast
- Mabel - Doris Emmerton
- Lady Matherson - Daphne Dubery
- Mrs Railton-Bell - Irene Winbourne
- Miss Meacham - Lilian Frith
- Doreen - Christine Wilson
- Mr Fowler - Michael Mattey
- Mrs Shankland - Ruth Shettle
- Mr Malcolm - Victor Shaw
- Miss Cooper - Jean Warboyes
- Mr Stratton - Peter Davies
- Miss Tanner - Judy Carling
Introduction to Table Number Seven
The action of the play takes place in the Beauregard Private Hotel, Bournemouth, during the summer.
Scene 1: The lounge. After tea.
Scene 2: The dining-room. Dinner time.
Cast
- Mrs Stratton - Judy Carling
- Mr Stratton - Peter Davies
- Major Pollock - Victor Shaw
- Mr Fowler - Michael Mattey
- Miss Cooper - Jean Warboyes
- Mrs Railton-Bell - Irene Winbourne
- Miss Railton-Bell - Ruth Shettle
- Lady Matheson - Daphne Dubery
- Miss Meacham - Lilian Frith
- Mabel - Doris Emmerton
- Doreen - Christine Wilson
Crew for both plays
- Stage Director - Bernie Bullbrook
- Stage Manager - Brenda Johnson
- Assistant Stage Manager - Dave Memory
- Set Design - Bernie Bullbrook
- Set Construction - Ray Seaton
- Lighting - Doug McKee
- Lighting Assistant - Tony Rapson
- Box Office & F.O.H. Manager - Frank Howcutt
- Photographs - BIM Harding
- Furniture - Old Times Furnishing Company
Reviews
Time - 20 years of it - has not dealt kindly with "Separate Tables", Terrreance Rattigan's painstakingly constructed pair of plays set in a genteel Bournemouth private hotel.
We can still admire the dramatic device whereby two differnt pairs of principles share the remaining cast of nine, so creating teh same milieu for two contrasting stories.
We can even, after allowing for the great change in social outlook over the past two decades, concede the strengths of these central characters. But the dialogue, once praised for its naturalism, now seems slow and measured, and the denizens of teh Beauregard Hotel are little more than superior stock types.
Having decided to revive these old war-horses, the South London Theatre Company (sic) boldlyt reverted to the authors's original intention (most unusual amonst amateurs) of having the two pairs of principles played by the same couple. Victor Shaw and Ruth SHettle are two of the most distinguished of the companies players, and the gamble is justified by the chance it gives them to show their versatility.
"Table by the Window" is genarlly recognised as the weaker play of the two, and I find Mr Shaw less than entirely convincing as John Malcolm, the left-wing politician on the skids. His accent sounds a little contrived, and his personality is surely too bouyant. His abrasive scene with Mrs Railton-Bell and Lady Matheson has the look of merely a mild contretemps, while his rough treatment of his ex-wife comes closer to melodrama than the text indicates.
TBC
Donald Madgwick, The Croydon Advertiser.
Gallery
Reminiscences and Anecdotes
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See Also
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References
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External Links
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