Difference between revisions of "Gullible's Troubles (1982)"
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*Bumble - [[Matthew Lyne]] | *Bumble - [[Matthew Lyne]] | ||
*Scrimpscrape - [[Mike Gabe]] | *Scrimpscrape - [[Mike Gabe]] | ||
− | *Giver of Good Things - [[Mickie | + | *Giver of Good Things - [[Mickie Hewitt]] |
*Mother Busybee - [[Jilly Cowley]] | *Mother Busybee - [[Jilly Cowley]] | ||
*Mother Scattergood - [[Pam Lyne]] | *Mother Scattergood - [[Pam Lyne]] |
Revision as of 15:47, 15 September 2009
Directed by Harry Sanders & Adrian McLoughlin
Musical Director - Lynn Jenner, assisted by Maddie Cordwell
Performances: Sat 2nd – Sun 3rd, Tues 5th - Sun 10th & Tues 11th - Sun 16th January (Matinees all Saturdays) 1982, Bell Theatre
Contents
Introduction
- CHEER - at the stout hearted bravery of King Gullible!
- GASP - at the evil audacity of Princess Purida!
- THRILL - to the awesome splendour of the Nether Regions!
- WARM - to the ructic friendliness of the Mothers Busybee and Scattergood!
- DRINK - to the alcoholic incompetence of the Giver of Good Things!
- QUAKE - with terror at the curse of Raspberry jam!
Cast
- Master of Ceremonies - Dennis Packham
- King Gullible - John Lyne
- Princess Saccharina - Julia Voak
- Princess Putrida - Midge Adams
- Fluffable - Chris King
- Bumble - Matthew Lyne
- Scrimpscrape - Mike Gabe
- Giver of Good Things - Mickie Hewitt
- Mother Busybee - Jilly Cowley
- Mother Scattergood - Pam Lyne
- Prince Bicep - Jeremy Brudenell
- Bazooka - Zed
- Chorus of Ramparts, Trees, Vegetables & Furniture
- Men - Chris Stooke, Richard Dickson, Matthew Jones, Steve Hannington, Simon Vaal
- Women - Ann Richards, Sharon Pidgeon, Ginny Clarke, Mary Donaghue, Cindy Seibert, Sue Thompson
Crew
- Stage Manager - Sonia Burke
- Assistant Stage Managers - John Kidd, Roger Taylor, Kyria Wilcok, Su Hands, Pat Cantwell, Charlotte Hands, Tania Wade, Richard Hands
- Lighting - Ian Clark
- Sound - Brian Fretwell
- Choreography - Jean Warboyes
- Design - Ahgie Shrubsole
- Set Construction - Jim Doyle, Jane Jorda, Lisch Hughes, Terry Fawthrop, Roger Taylor
- Wardrobe - Sue Marler, Rose Lynch, Lynn Jenner, Debby Parrett
- Thanks to - David Bret, Don Cheeseman, Jill Clarke, Bon Clemens, Malcolm Johnson
Reviews
From Scene.
"Exciting!" "Great!" "Amusing!" "One of the best pantos I've ever seen!" "I liked Dennis Best" ... Children from Langbourne school.
"Enjoyed it; one of the best Christmas shows we've done. Sometimes over the top but as it should be. Hit the right level" Malcolm Woodman, member.
"Absolutely lovely. Everything a panto should be" Grace (Member) & Janice (Aud.)
"Talented and confident cast wasted and only sparkled intermitently due to low-key direction. Costumes and sets dull; again too low-key. Putrida and Dennis were great - splendid, big performances! Many opportunities to embellish songs and comedy not realised. Poor focusing with too many slight comedy moments milked to death: case of directors not knowing when to leave well alone. With right directors (authors should not direct own play) it could have been an excellent children's show instead of just a good one. Maybe I'm being too hard. There was only one little girl in the audience tonight and it needed an audience full of children for adults to enjoy it. Where were the children." Anon (suspect a director), audience.
"It was good; my daughter (aged 11) thought it was very good and liked Dennis. Old fashioned corn. Fairy godmother and wicked sister really good. Prince and Princess helped put over the corn and played well to the audience. Enjoyed but wanted more audience participation. Liked Cinderella better; easier for children to relate to. My daughter though the best and funniest thing in the play was Putrida and the chorus singing 'Pretty Girl' song. Did you advertise it enough? Audience was mainly adults. Were there any posters in the shops advertising the age group it was suitable for? I didn't see any. If it were advertised better and your reasonable prices made known parents would have taken groups of children." Mrs Dorren McKenzie (audience)
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
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