Difference between revisions of "Ian Mill"
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Matthew lyne (Talk | contribs) (→Sound on:) |
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* [[Wait Until Dark (1998)|Wait Until Dark]] ([[1998]]) ([[Bell Theatre]]) | * [[Wait Until Dark (1998)|Wait Until Dark]] ([[1998]]) ([[Bell Theatre]]) | ||
* [[The Murder Room (1999)|The Murder Room]] ([[1999]]) ([[Bell Theatre]]) | * [[The Murder Room (1999)|The Murder Room]] ([[1999]]) ([[Bell Theatre]]) | ||
+ | * [[Sweet Sorrow (1999)|Sweet Sorrow]] ([[1999]]) ([[Bell Theatre]]) | ||
== Interests == | == Interests == |
Revision as of 01:29, 3 January 2010
SLT Member 1996 - 2001
Contents
Acting Roles
- Marshall Merrick in The Crucible (1997) (Prompt Corner)
- Roat in Wait Until Dark (1998) (Bell Theatre)
- Redillon in Sauce for the Goose (1998) (Bell Theatre)
- Tubal/Gaoler in The Merchant of Venice (1999) (Bell Theatre)
- Son-in-law in 'Show Business', Husband in 'Going Home' in Visiting Hour (1999) (Bell Theatre)
Productions as Director
- Play 1 (1997) (Prompt Corner)
- Play 2 (1998) (Bell Theatre)
- Play 3 (2000) (Bell Theatre)
Props on:
Sound on:
Productions as Sound Designer
- Guards! Guards! (1998) (Prompt Corner)
- Visiting Hour (1999) (Bell Theatre) with Mathew Fernand & Andrew Smith
- Much Ado About Nothing (2000) (Bell Theatre)
- Kindertransport (2001) (Bell Theatre)
- Me and My Friend (2001) (Prompt Corner)
Productions as Sound Operator
- Guards! Guards! (1998) (Prompt Corner)
- Billy Liar (2000) (Bell Theatre)
- Dealer's Choice (2001) (Bell Theatre)
Set Construction on:
- Guards! Guards! (1998) (Prompt Corner)
- Wait Until Dark (1998) (Bell Theatre)
- The Murder Room (1999) (Bell Theatre)
- Sweet Sorrow (1999) (Bell Theatre)