Difference between revisions of "Come into the Garden Maud (1989)"

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== Reviews ==
 
== Reviews ==
  
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Some review quotes go here
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'Evening with the Master becomes a lengthy affair.'
−
 
+
'Not long ago, I saw Noel Coward's Come Into the Garden Maud and Ways and Means presented as a double bill, and the length of the evening seemed just about right in relation to the dramatic weight of the plays.
 +
'This week, SLTC has gone one better - or should I say one worse? - in adding a third componenet, and along-winded one at that, to the same duo.
 +
'Coward x Three commences with [[Shadows of the Evening (1989)|Shadows of the Evening]], and they are already lenghtening fast by the first interval.
 +
'George Hilgay's wife and mistress, old antagonists, form an uneasy truce to see him through the last few months his doctor has given him to live.
 +
'The piece is decently presented with becoming dignity in [[John Anderson]]'s performance as the doomed George, and some bitchy exchanges between [[Su Hands]] as his wife and [[Karen McCloud]] as the woman who has supplanted her.
 +
'But the dialogue is slow, ponderous and , by comparison with Coward's best, curiously stiff and formal.
 +
'[[Come Into the Garden Maud (1989)|Come Into the Garden Maud]] finds its characters in the same Swiss hotel, with [[Stephen Fisher]] playing the same obsequious waiter, Felix.
 +
'[[Pip Piacentino]] plays a rich American, mercilessly put down by his snobbish wife, played by [[Ruth Shettle]] with a due relish for her ghastliness.
 +
'It is both amusing and satisfying to see her get her come-uppance, as he falls for and makes off with a Bohemian princess, Maud Caragnani, the more so as the lady, in the performance of [[Vanessa Venables]], has such a delightfully sunny personality.
 +
'[[Ways and Means (1989)|Ways and Means]] concerns a hard-up gambling couple desperately grappling with their problems on the Cote d'Azur.
  
 
== Gallery ==
 
== Gallery ==

Revision as of 14:43, 27 September 2010

Poster by Poster Designer

by Noel Coward

Directed by W. Malcolm Woodman

Performances: Sun 6th – Sat 12th August 1989, Bell Theatre


Introduction

Presented in a Triple Bill with Shadows of the Evening (1989) and Ways and Means (1989).

The action takes place in a private suite in the Hotel Beau Rivage, Lausanne, Switzerland.

Cast

Crew

Reviews

'Evening with the Master becomes a lengthy affair.' 'Not long ago, I saw Noel Coward's Come Into the Garden Maud and Ways and Means presented as a double bill, and the length of the evening seemed just about right in relation to the dramatic weight of the plays. 'This week, SLTC has gone one better - or should I say one worse? - in adding a third componenet, and along-winded one at that, to the same duo. 'Coward x Three commences with Shadows of the Evening, and they are already lenghtening fast by the first interval. 'George Hilgay's wife and mistress, old antagonists, form an uneasy truce to see him through the last few months his doctor has given him to live. 'The piece is decently presented with becoming dignity in John Anderson's performance as the doomed George, and some bitchy exchanges between Su Hands as his wife and Karen McCloud as the woman who has supplanted her. 'But the dialogue is slow, ponderous and , by comparison with Coward's best, curiously stiff and formal. 'Come Into the Garden Maud finds its characters in the same Swiss hotel, with Stephen Fisher playing the same obsequious waiter, Felix. 'Pip Piacentino plays a rich American, mercilessly put down by his snobbish wife, played by Ruth Shettle with a due relish for her ghastliness. 'It is both amusing and satisfying to see her get her come-uppance, as he falls for and makes off with a Bohemian princess, Maud Caragnani, the more so as the lady, in the performance of Vanessa Venables, has such a delightfully sunny personality. 'Ways and Means concerns a hard-up gambling couple desperately grappling with their problems on the Cote d'Azur.

Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Have there been other SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

<references/>

External Links

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