Difference between revisions of "Hay Fever (1984)"
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== Reviews == | == Reviews == | ||
| − | + | Noël Coward's "Hay Fever", which seems to have acquired the mantle of a modern classic, is about a weekend party in the 1920s at the Cookham home of the Bliss family. | |
| − | ....Leslie | + | ....Leslie Lidyard's production is enacted on a bilious set that could pass for the waiting room at Crewe station which might account for the curiously waspish note that creeps into the proceedings. |
| − | The Blisses are like exotic butterflies, quarrelsome but without malice; but in the exchanges between Jeremy Ward and Ann- Orange-Bromehead, as Simon and Sorel, the edge is sometimes too cutting for comfort. | + | The Blisses are like exotic butterflies, quarrelsome but without malice; but in the exchanges between Jeremy Ward and Ann-Orange-Bromehead, as Simon and Sorel, the edge is sometimes too cutting for comfort. |
Ruth Shettle is grandly theatrical as Judith. Her whole life is a stage performance, and her simplest utterance is delivered as if to an invisible gallery. Don Gillate plays David, too, as a poseur in the grand manner, with a hint of tongue-in-the-cheek roguery. | Ruth Shettle is grandly theatrical as Judith. Her whole life is a stage performance, and her simplest utterance is delivered as if to an invisible gallery. Don Gillate plays David, too, as a poseur in the grand manner, with a hint of tongue-in-the-cheek roguery. | ||
| − | The guests are a nicely assorted crew. Matthew Lyne is the blazered Sandy Tyrell, a good egg, but something of a silly ass, don'cher know? John | + | The guests are a nicely assorted crew. Matthew Lyne is the blazered Sandy Tyrell, a good egg, but something of a silly ass, don'cher know? John Brierley is a mite negative as the diplomatist Richard Greatham, bringing a touch of sobriety to the gathering. |
Sharon Pidgeon is the languidly bitchy Myra Arundel, and Laura Hussey plays the timid Jackie Coryton as if she has a mouthful of alum. | Sharon Pidgeon is the languidly bitchy Myra Arundel, and Laura Hussey plays the timid Jackie Coryton as if she has a mouthful of alum. | ||
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Audience comments:- | Audience comments:- | ||
| − | Very enjoyable. Enjoyed it immensely. Loved Act II. | + | Very enjoyable. Enjoyed it immensely. Loved Act II. Noël Coward is always good to see - Shirley King (Member) |
Way over the top - Lynn Jenner (Member) | Way over the top - Lynn Jenner (Member) | ||
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It was good, I liked it - Helen Emler (Visitor) | It was good, I liked it - Helen Emler (Visitor) | ||
| − | I'm usually guarded when amateurs tackle Shakespeare or Coward because of the conflicting acting styles. Not this time. Some delicious big performances; pacy direction | + | I'm usually guarded when amateurs tackle Shakespeare or Coward because of the conflicting acting styles. Not this time. Some delicious big performances; pacy direction moved the amusing plot and larger than life (I'm sure Coward knew them all in real life) characters along to its absurd but logical ending. I came hoping to chuckle at best but was delighted to join the belly laughter. Apart from the set's dreadful colour scheme, a nice one, Les. - Pip Piacentino (Member) |
== Gallery == | == Gallery == | ||
Latest revision as of 17:31, 12 May 2014
Directed by Leslie Lidyard
Performances: Weds 22th – Sat 25th February 1984, Bell Theatre
Contents
Introduction
The action takes place in the Hall of the Bliss's House at Cookham in June.
- Act I - Saturday Afternoon
- Act II - Saturday Evening
- Act III - Sunday Morning
There was a 15 minute interval between each act.
Cast
- Simon Bliss - Jeremy Ward
- Sorel Bliss - Anne Orange-Bromehead
- Clara - Frances Walker
- Judith Bliss - Ruth Shettle
- Sandy Tyrell - Matthew Lyne
- Myra Arundel - Sharon Pidgeon
- Jackie Coryton - Laura Hussey
- Richard Greatham - John Brierly
- David Bliss - Don Gillate
Crew
- Stage Manager - Julie Howcutt
- Assistant Stage Managers - Carol Wheeler, Hilary Brewster, John Kidd & Richard Lilley
- Lighting Design - Brian Fretwell
- Lighting Operator - Richard Wood
- Sound Recording - Brian Fretwell
- Sound Operator - Alf Vaal
- Wardrobe Mistress - Iris Lenny
- Wardrobe Assistant - Pat Worsam
- Properties - David Hickman
- Prompt - Christine Page
- Set Construction - Nigel Howcutt
- Assistant set construction - Richard Lilley, John Kidd, Brian Fretwell, Vicky Smith & Peter Wickert
- Scenic Painter - Sharon Haywood
Reviews
Noël Coward's "Hay Fever", which seems to have acquired the mantle of a modern classic, is about a weekend party in the 1920s at the Cookham home of the Bliss family.
....Leslie Lidyard's production is enacted on a bilious set that could pass for the waiting room at Crewe station which might account for the curiously waspish note that creeps into the proceedings.
The Blisses are like exotic butterflies, quarrelsome but without malice; but in the exchanges between Jeremy Ward and Ann-Orange-Bromehead, as Simon and Sorel, the edge is sometimes too cutting for comfort.
Ruth Shettle is grandly theatrical as Judith. Her whole life is a stage performance, and her simplest utterance is delivered as if to an invisible gallery. Don Gillate plays David, too, as a poseur in the grand manner, with a hint of tongue-in-the-cheek roguery.
The guests are a nicely assorted crew. Matthew Lyne is the blazered Sandy Tyrell, a good egg, but something of a silly ass, don'cher know? John Brierley is a mite negative as the diplomatist Richard Greatham, bringing a touch of sobriety to the gathering.
Sharon Pidgeon is the languidly bitchy Myra Arundel, and Laura Hussey plays the timid Jackie Coryton as if she has a mouthful of alum.
Frances Walker makes quite a 'character' out of the servant Clara. As Judith's old dressmaker, she has seen it all, and allows herself a liberty or two, and gives us a few smiles into the bargain.
Donald Madgwick, the Croydon Advertiser - as reprinted in SCENE, with permission.
Audience comments:-
Very enjoyable. Enjoyed it immensely. Loved Act II. Noël Coward is always good to see - Shirley King (Member)
Way over the top - Lynn Jenner (Member)
It was good, I liked it - Helen Emler (Visitor)
I'm usually guarded when amateurs tackle Shakespeare or Coward because of the conflicting acting styles. Not this time. Some delicious big performances; pacy direction moved the amusing plot and larger than life (I'm sure Coward knew them all in real life) characters along to its absurd but logical ending. I came hoping to chuckle at best but was delighted to join the belly laughter. Apart from the set's dreadful colour scheme, a nice one, Les. - Pip Piacentino (Member)
Gallery
- Photos by Brian Fretwell)
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
