Difference between revisions of "The Diary of Anne Frank (1986)"
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== Reviews == | == Reviews == | ||
| − | Keeping Faith With | + | Keeping Faith With The Past |
| − | "The | + | "The Diary of Anne Frank" .....Tina Massey's production has great detail going for it. Most of today's audiences are too young to have experienced the war, and even the rest have had no actual experience of living in occupied territory, let alone belonging to the hunted Jewish minority. |
Let us, then, salute Tina Massey and the cast for conveying with such fidelity to detail what it must have been like for those eight fugitives holed up above a warehouse in Amsterdam, living each day for two years in constant fear of exposure and arrest. | Let us, then, salute Tina Massey and the cast for conveying with such fidelity to detail what it must have been like for those eight fugitives holed up above a warehouse in Amsterdam, living each day for two years in constant fear of exposure and arrest. | ||
| Line 50: | Line 50: | ||
Sian Richardson gives a performance of poise and great sensitivity as Anne. And in the drama being played around her young life, Terry Neale ia a pillar of strength as her father, the natural leader of the group. | Sian Richardson gives a performance of poise and great sensitivity as Anne. And in the drama being played around her young life, Terry Neale ia a pillar of strength as her father, the natural leader of the group. | ||
| − | The production is strongest at moments of tension and crisis. Quarrels flare up, and the | + | The production is strongest at moments of tension and crisis. Quarrels flare up, and the minute details of everyday existence become absurdly exaggerated. |
| − | Brian Scoltock and Carol Murrell play the edgy and selfish Van Daans, and Geoff Munday is their son Peter, whose affection for Anne at | + | Brian Scoltock and Carol Murrell play the edgy and selfish Van Daans, and Geoff Munday is their son Peter, whose affection for Anne at last breaks through the shell of his shyness. |
| − | Delia Taitt plays Mrs Frank with instinctive sympathy and understanding, and Gillian Holmes impresses in the rather | + | Delia Taitt plays Mrs Frank with instinctive sympathy and understanding, and Gillian Holmes impresses in the rather thankless role of her elder sister Margot, so much less interesting than Anne herself but a personality in her own right nevertheless. |
| − | Bernard Witt, too, earns an accolade for his portrayal of the unpleasant Mr Dussel, completing the band of reluctant residents. From the world outside, Ken Lucas | + | Bernard Witt, too, earns an accolade for his portrayal of the unpleasant Mr Dussel, completing the band of reluctant residents. From the world outside, Ken Lucas and Josephine Hussey exemplify the spirit of sacrifice. |
Donald Madgwick, from The Croydon Advertiser, reprinted in SCENE with permission of the editor. | Donald Madgwick, from The Croydon Advertiser, reprinted in SCENE with permission of the editor. | ||
Revision as of 13:31, 3 September 2008
by Frances Goodrich & Albert Hackett
Directed by Tina Massey
Performances: Sun 2nd – Sat 8th February 1986, Bell Theatre
Contents
Introduction
Set in the top floor of a warehouse in Amsterdam at various times from July 1942 to November 1945.
Cast
- Mr Frank - Terry Neale
- Mrs Frank - Delia Taitt
- Anne Frank - Sian Richardson
- Margot Frank - Gillian Holmes
- Mr Van Daan - Brian Scoltock
- Mrs Van Daan - Carol Murrell
- Peter Van Daan - Geoff Munday
- Miep - Josephine Hussey
- Mr Kraler - Ken Lucas
- Mr Dussel - Bernard Witt
Crew
- Stage Manager - Paul Hutchinson
- Lighting Design - Peter Boon
- Sound - Alf Vaal
- Production Assistant - Jean Warboyes
- Set Designer - Jonathan Silver
- Set Construction - Paul Hutchinson, Keefe Browning, David Lamkin & Peter Boon
- Scaffolding Builder - Dennis O'Flynn
- Scaffolding Adviser - Bernie Bullbrook
- Wardrobe - Frances Walker
Reviews
Keeping Faith With The Past
"The Diary of Anne Frank" .....Tina Massey's production has great detail going for it. Most of today's audiences are too young to have experienced the war, and even the rest have had no actual experience of living in occupied territory, let alone belonging to the hunted Jewish minority.
Let us, then, salute Tina Massey and the cast for conveying with such fidelity to detail what it must have been like for those eight fugitives holed up above a warehouse in Amsterdam, living each day for two years in constant fear of exposure and arrest.
But for the diary of the remarkable teenager Anne Frank we would never have known the truth. The point is, will we remember the lesson?
Sian Richardson gives a performance of poise and great sensitivity as Anne. And in the drama being played around her young life, Terry Neale ia a pillar of strength as her father, the natural leader of the group.
The production is strongest at moments of tension and crisis. Quarrels flare up, and the minute details of everyday existence become absurdly exaggerated.
Brian Scoltock and Carol Murrell play the edgy and selfish Van Daans, and Geoff Munday is their son Peter, whose affection for Anne at last breaks through the shell of his shyness.
Delia Taitt plays Mrs Frank with instinctive sympathy and understanding, and Gillian Holmes impresses in the rather thankless role of her elder sister Margot, so much less interesting than Anne herself but a personality in her own right nevertheless.
Bernard Witt, too, earns an accolade for his portrayal of the unpleasant Mr Dussel, completing the band of reluctant residents. From the world outside, Ken Lucas and Josephine Hussey exemplify the spirit of sacrifice.
Donald Madgwick, from The Croydon Advertiser, reprinted in SCENE with permission of the editor.
Also, from the Streatham Guardian Series, Thurs Jan 20th, listing
"The Diary of Anne Frank, Courageous and poignant tale of a Jewish girl living under Nazi rule at South London Theatre Centre...."
Reprinted in SCENE with the comment "Courtesy of the Kultural Kommittee, presumably. S.L.T.Cieg Heil!
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
