Difference between revisions of "Fur Coat and No Knickers (1986)"
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== Crew == | == Crew == | ||
− | *Stage Manager - [[ | + | *Stage Manager - [[Malcolm Woodman]] |
− | * | + | *Assistant Stage Managers - [[Kate Nash]], [[John Kidd]], [[John Hartnett]] & [[Patricia Worsam]] |
− | *Lighting | + | *Lighting - [[Richard Wood]] |
+ | *Sound - [[Jim Doyle]] | ||
+ | *Set Construction - [[Peter Adams]], [[Keefe Browning]], [[Charles Cheetham]], [[Anji Gibson]], [[Richard Lilley]], [[Matthew Lyne]] & [[Malcolm Woodman]] | ||
+ | *Wardrobe - [[Ann Mattey]] | ||
+ | *Props - [[Pat Worsam]] | ||
+ | *Prompt - [[Anji Gibson]] | ||
+ | *P.A. - [[Ann Cheetham]] | ||
== Reviews == | == Reviews == |
Revision as of 13:47, 3 September 2008
by Mike Harding
Directed & Designed by Charles Cheetham
Performances: Sun 2nd – Sat 8th March 1986, Bell Theatre
Contents
Introduction
Text about the play
Cast
- Edith Ollerenshawe - Ruth Shettle
- Harry Ollerenshawe - Paul Campion
- Kevin Ollerenshawe - Matthew Lyne
- Deirdre Ollerenshawe & Evette - Sylvia Keeler
- Peter Ollerenshawe - James Lyne
- Nip (George Albert) - John Lyne
- Mark Greenhalgh - Russell Sanderson
- Muriel Greenhalgh - Eileen Biccaregui
- Ronald Greenhalgh - Quinton Cobby
- Father Filton Molloy - Leslie Lidyard
- hamish - Peter Adams
- Barmaids and Dancers - Anna Greenburg, Jane McDowell, Nicola Core & Alsion Lees
- Barmaid & Policewoman - Christine Brooks
- Man in Catholic Club & Policeman - Howard Thomas
- Jimmy & Waiter - Keefe Browning
- Bouncer - Canice McAuliffe
- Kirstene - Nicola Core
- Wendy - Jane McDowell
Crew
- Stage Manager - Malcolm Woodman
- Assistant Stage Managers - Kate Nash, John Kidd, John Hartnett & Patricia Worsam
- Lighting - Richard Wood
- Sound - Jim Doyle
- Set Construction - Peter Adams, Keefe Browning, Charles Cheetham, Anji Gibson, Richard Lilley, Matthew Lyne & Malcolm Woodman
- Wardrobe - Ann Mattey
- Props - Pat Worsam
- Prompt - Anji Gibson
- P.A. - Ann Cheetham
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>