Difference between revisions of "Fings ain't Wot They Used t'Be (1986)"
(New page: Poster by [[Poster Designer]] by Frank Norman & Lionel Bart Directed by Mike Mattey Performances: Sat 4th – Sat 11th October [[19...) |
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== Introduction == | == Introduction == | ||
− | + | Fred runs a failing gambling joint in a seedy Soho Side-street and harbiiurs dreams of making a come-back to the halcyon days when he was "razor king of the manor". | |
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+ | Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers. | ||
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+ | When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into immeadiate effect. But gang boss, Meatface Heiman, stands in Fred's path and the only way back to the top is through a 'carve-up' with Meatface and his mob. Very Nasty! | ||
== Cast == | == Cast == |
Revision as of 12:17, 6 September 2008
by Frank Norman & Lionel Bart
Directed by Mike Mattey
Performances: Sat 4th – Sat 11th October 1986, Bell Theatre
Contents
Introduction
Fred runs a failing gambling joint in a seedy Soho Side-street and harbiiurs dreams of making a come-back to the halcyon days when he was "razor king of the manor".
Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers.
When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into immeadiate effect. But gang boss, Meatface Heiman, stands in Fred's path and the only way back to the top is through a 'carve-up' with Meatface and his mob. Very Nasty!
Cast
Crew
- Stage Manager - SM Name
- Lighting Design - Designer Name
- Lighting Operator - Operator Name
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>