Difference between revisions of "Arsenic and Old Lace (1973)"
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The play is directed by Michael Archer, with the assistance of Tony Westhead. Between them, however one divides the responsibilities, they exceed in exploiting the larger lunacy of the plot, but tend to be unsure on points of detail. I lost count of the number of funny lines that were weakened by maladroit timing. Nor was enough attention paid to nuances of characterisation. Some of the minor roles are played so as to go for almost nothing, and over these it is best to draw a decent veil. | The play is directed by Michael Archer, with the assistance of Tony Westhead. Between them, however one divides the responsibilities, they exceed in exploiting the larger lunacy of the plot, but tend to be unsure on points of detail. I lost count of the number of funny lines that were weakened by maladroit timing. Nor was enough attention paid to nuances of characterisation. Some of the minor roles are played so as to go for almost nothing, and over these it is best to draw a decent veil. | ||
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| + | Luckily, there are two strong performances by the Brewster sisters, those kindly old ladies who see it as a mission of charity to polish off a succession of lonely old men. As Abby, Lilian Frith is the dominant partner , showing an edge of cold reserve beneath the sweetest of exteriors. Irene Wimbourne's Martha emerges here as the pliant weaker sister, dependent on the leadership of a stronger will than her own. | ||
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| + | A problem is presented in respect of Teddy Brewster, the mad nephew who thinks he is Theodore Roosevelt. His portrayal by Tom Smith is no more than skin-deep, and the first sign we see of any undue eccentricity is when he make his first exit. He only comes to life as a character during the "funny bits". Unlike Abby and Martha, who are unnervingly sane except when acting out their singular obsession. Teddy should at all times be a recognisably "mad" creature, wholly possesed by his illusion. | ||
== Gallery == | == Gallery == | ||
Revision as of 12:25, 18 September 2008
Designed & Directed by Michael Archer, Assited by Tony Westhead
Performances: 6th & 8th - 13th January 1973, Theatre
Contents
Introduction
Text about the play
Cast
- Abby Brewster - Lilian Frith
- Rev Dr Harper - Stan Westbey
- Teddy Brewster - Tom Smith
- Elaine Harper - Janice Grady
- Officer Brody - Jim Judd
- Officer Klein - Ken Madden
- Mr Gibbs - Brian Collins
- Body - Keith Cheetham
- Mortimer Brewster - John Lyne
- Martha Brewster - Irene Wimbourne
- Officer O'Hara - Arthur Skinner
- Jonathan Brewster - Malcolm Saunders
- Dr Einstein - Charles Cheetham
- Lieutenant Rooney - Bernard Bullbrook
- Mr Witherspoon - Alex Kanarek
Crew
- Stage Manager - Sheila Rees
- Assistant Stage Mangers - Vera Amato & Roy Savage
- Lighting Design - Tony Rapson
- Lighting Operator - Geoff Mayne
- Set Construction - Mike Archer
- Assisted by - Roy Savage
- Props - Ann Small & Ivy Oram
- Wardrobe - Sue Gyde & Sheila Pasco
- Photographs - B.I.M. Harding
- F.O.H. Manager - Ralph Wade
Reviews
"Little Murders"
When one sees two local productions of the same play in a short space of time, one's first temptation is to draw critical comparisons. I shall resist it, except to make the point that S.L.T.C.'s current production of Joseph Kesselring's "Arsenic and Old Lace", by sticking to the original Brooklyn setting, works under a handicap from which Beckenham Theatre Centre's recent production was free.
By opting for a wholly English style, with Home Counties accents, Beckenham lost little of the play's favour and gained by their use of a milieu with which the actors were all familiar. By comparison, S.L.T.C. make quite a hard labour of alien accents. In compensation, their policemen are more natural as New York cops, and the essentially American style of drama critic Mortimer Brewster is allowed to flourish.
The play is directed by Michael Archer, with the assistance of Tony Westhead. Between them, however one divides the responsibilities, they exceed in exploiting the larger lunacy of the plot, but tend to be unsure on points of detail. I lost count of the number of funny lines that were weakened by maladroit timing. Nor was enough attention paid to nuances of characterisation. Some of the minor roles are played so as to go for almost nothing, and over these it is best to draw a decent veil.
Luckily, there are two strong performances by the Brewster sisters, those kindly old ladies who see it as a mission of charity to polish off a succession of lonely old men. As Abby, Lilian Frith is the dominant partner , showing an edge of cold reserve beneath the sweetest of exteriors. Irene Wimbourne's Martha emerges here as the pliant weaker sister, dependent on the leadership of a stronger will than her own.
A problem is presented in respect of Teddy Brewster, the mad nephew who thinks he is Theodore Roosevelt. His portrayal by Tom Smith is no more than skin-deep, and the first sign we see of any undue eccentricity is when he make his first exit. He only comes to life as a character during the "funny bits". Unlike Abby and Martha, who are unnervingly sane except when acting out their singular obsession. Teddy should at all times be a recognisably "mad" creature, wholly possesed by his illusion.
Gallery
Reminiscences and Anecdotes
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See Also
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Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
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