Difference between revisions of "Oh, What a Lovely War (1979)"
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*Sound - [[Geoff Potter]], [[Jane Cooper]] | *Sound - [[Geoff Potter]], [[Jane Cooper]] | ||
*Musical Director - [[Donald Halliday]] | *Musical Director - [[Donald Halliday]] | ||
− | *Musicians - [[Fred Ponsonby]] (Trumpet), [[Siobhan Cosgrove]] (Flute, Piccolo), [[Jill Winch]] (Clarinet, Saxophone), [[Mike Garrett]] (percussion), [[ | + | *Musicians - [[Fred Ponsonby]] (Trumpet), [[Siobhan Cosgrove]] (Flute, Piccolo), [[Jill Winch]] (Clarinet, Saxophone), [[Mike Garrett]] (percussion), [[Lynn Jenner]] (Piano), [[Donald Halliday]] (Piano/Organ) |
*Production Assistant - [[Tim Jeffes]] | *Production Assistant - [[Tim Jeffes]] | ||
*Choreography - [[Jean Worboyes]] | *Choreography - [[Jean Worboyes]] |
Revision as of 15:12, 17 August 2009
by Theatre Workshop, Charles Chilton and the original cast
Directed by Jill Clarke
Performances: Sat 7th – Sat 14th July 1979, Main Stage
Contents
Introduction
Text about the play
Cast
- The Company - John Adams, Bozena Borzyskowsla, Maddy Cordwell, John Harris, Alan Johnson, Sally Lill, Matthew Lyne, Ann Mattey, Adrian McLoughlin, Bruce Murray, Dennis Packham, John Rogers, Mikael Rust, Wally Ross-Gower, Harry Sanders, Richard Thomas, Philip Tong, Annette Wiseman.
Crew
- Stage Manager - John Woodrooffe
- Assisted by - Sally Hebberd, Jeanette Hoile, Ann King, Pam Lyne, Debbie Parrett, Sylvia Rowe, Kris Swarbrick
- Lighting Design - Stephen Holroyd, Tony Wilson, Peter Boon
- Sound - Geoff Potter, Jane Cooper
- Musical Director - Donald Halliday
- Musicians - Fred Ponsonby (Trumpet), Siobhan Cosgrove (Flute, Piccolo), Jill Winch (Clarinet, Saxophone), Mike Garrett (percussion), Lynn Jenner (Piano), Donald Halliday (Piano/Organ)
- Production Assistant - Tim Jeffes
- Choreography - Jean Worboyes
- Wardrobe - Debbie Parrett, Jeanette Hoile
- Military Advisors - Alan Grummitt, Dave Harrison
- Graphic Design - Malcolm Johnson
- Box Office Manager - David Bell
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>