Difference between revisions of "Dog in the Manger (2011)"

From sltarchive
Jump to: navigation, search
(Cast)
Line 3: Line 3:
 
by [[Lope de Vega]]
 
by [[Lope de Vega]]
  
Directed by [[Mark Ireson]]  
+
Directed by [[Mark Ireson]] and [[Charlotte Vaight]]
  
 
Performances: Tuesday 19 to Saturday 23 April [[2011]], [[Prompt Corner]]
 
Performances: Tuesday 19 to Saturday 23 April [[2011]], [[Prompt Corner]]

Revision as of 10:10, 16 April 2011

Poster by Emma Baines

by Lope de Vega

Directed by Mark Ireson and Charlotte Vaight

Performances: Tuesday 19 to Saturday 23 April 2011, Prompt Corner


Introduction

Ever fallen in love with someone you shouldn’t have?

Diana, the independent, headstrong and beautiful Countess of Belflor, is a woman in the habit of seeing off the various men in pursuit of her hand, until she finds herself becoming increasingly attracted to her personal secretary, Teodoro. This is not a union that the rigid society they inhabit would readily permit, and things are complicated further by Teodoro's existing relationship with Marcela, one of Diana's ladies in waiting.

Suspecting Diana's feelings for him, Teodoro is quick to cast aside Marcela, who is not best pleased. Nor are Diana's current suitors, the pompous Federico and Ricardo; when they discover where Diana's affections really lie, they soon hatch a scheme to dispose of Teodoro. They unwittingly hire Tristan, Teodoro’s lackey, as the assassin, who takes their money but manages to dupe the Duke Ludovico into thinking that Teodoro is his long lost son. Ludovico gains a son, Teodoro a title, Diana a husband, and they all live happily(…ish) ever after.

David Johnston’s fast paced translation (commissioned for the RSC without a thee or thou in sight) brings out the intelligence and comedy of Lope de Vega's bittersweet satire of lust, class, jealousy and love for a modern audience.

Cast

Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Have there been other SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

<references/>

External Links