Difference between revisions of "Coriolanus (1986)"

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== Reminiscences and Anecdotes ==
 
== Reminiscences and Anecdotes ==
  
Produced just after we had lost much of our sound equipment and main lighting control board due to a break-in, the hired and borrowed sound equipment had to be taken down and locked away in the bar between performances. The lights were controlled from the Prompt Corner lighting box with the operator unable to see the stage. He was cued by a red light on an extension lead plugged into a socket in the S.M. room and switched by the stage manager. Glenda King. (Brian Fretwell)
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Produced just after we had lost much of our sound equipment and main lighting control board due to a break-in, the hired and borrowed sound equipment had to be taken down and locked away in the bar between performances. The lights were controlled from the Prompt Corner lighting box with the operator unable to see the stage. He was cued by a red light on an extension lead plugged into a socket in the S.M. room and switched by the stage manager, Glenda King. (Brian Fretwell)
  
 
Members are encouraged to write about their experiences of working on or seeing this production.  Please leave your name.  Anonymous entries may be deleted.
 
Members are encouraged to write about their experiences of working on or seeing this production.  Please leave your name.  Anonymous entries may be deleted.

Revision as of 16:45, 4 February 2012

Poster by Poster Designer

by William Shakespeare

Directed & Designed by Jimmy Morgan

Performances: 1986, Bell Theatre


Introduction

Text about the play

Cast

Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Produced just after we had lost much of our sound equipment and main lighting control board due to a break-in, the hired and borrowed sound equipment had to be taken down and locked away in the bar between performances. The lights were controlled from the Prompt Corner lighting box with the operator unable to see the stage. He was cued by a red light on an extension lead plugged into a socket in the S.M. room and switched by the stage manager, Glenda King. (Brian Fretwell)

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

References

External Links