Difference between revisions of "Good (2020)"
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*[[Sound Designer]] - [[Tom Watts]] | *[[Sound Designer]] - [[Tom Watts]] | ||
*[[Lighting Operator]] - [[Fiona Daffern]] | *[[Lighting Operator]] - [[Fiona Daffern]] | ||
| − | *[[Set]] - [[Chaz Doyle, Hans Mudlamutoo]] | + | *[[Set]] - [[Chaz Doyle]], [[Hans Mudlamutoo]] |
*[[Rigging]] - [[Sean Thomas]], [[Mark Ireson]] | *[[Rigging]] - [[Sean Thomas]], [[Mark Ireson]] | ||
*[[Programme design]] - [[Bryon Fear]] | *[[Programme design]] - [[Bryon Fear]] | ||
Revision as of 14:47, 4 March 2020
by C P Taylor
Performances: Tue 3rd – Sat 7th March 2020, Old Fire Station
Contents
Introduction
What makes a good man? It's a question John Halder asks himself - it is something he believes himself to be. But this is 1930s Germany and the choices a person makes may be the difference between good and profound evil. A brilliant fable on morality in a turbulent time.
Cast
- John Halder - Nick Howard
- Maurice - Alex Watts
- Nurse - Katie Floyd
- Mother - Lily Ann Coleman as Lily Ann Green
- Clerk/Dispatch Rider - Joe Scholes
- Helen - Rebecca Law
- Bouller/Officer/Hoss - Richard Lace
- Anne - Claudia Lace
- Freddie/Crooner - Mitchell Labiak
- Crooner/Bok/Patient - Rob Wallis
- Hitler/Patient - David Carr
- Doctor/Crooner/Eichmann - Jack King
Crew
- Assistant Director - Fiona Daffern
- Stage Manager - Kay George
- Assistant Stage Manager - Melanie Boyce
- Lighting Designer - Bryon Fear
- Sound Designer - Tom Watts
- Lighting Operator - Fiona Daffern
- Set - Chaz Doyle, Hans Mudlamutoo
- Rigging - Sean Thomas, Mark Ireson
- Programme design - Bryon Fear
- Lighting Operator - Fiona Daffern
Reviews
Carole Coyne
SLT is amazing for producing such a variety of plays and this weeks offering of Good by C P Taylor is very different from anything else in this season. it is a strong play about how easily people can be seduced away from their natural moral inclinations by the pull of political and emotional strings. Nick Howard‘s delivery of the lead role is spot on and all the minor characters support him flawlessly. There is remarkably good singing too from characters who were chosen for their acting potential. This story should be told to each generation so we never forget the horrors that happened under the Nazis.
Martin Copland-Gray
Congrats to Lisa Thomas & her team on Good. A difficult subject to tackle but sensitively done by one of my favourite SLT directors. #BEAD
Jess Osorio
Congratulations on some interesting and strong performances in Good. Not an easy play to watch or be in but watching was an interesting and entertaining experience. Well staged and costumed even if unsettling at times. Carries relevancy today.. Do go along and see it even if you think might not be immediately your choice of play. Moments where I laughed even though it was not always comfortable. Thought provoking, deserves full houses. Thought all the actors were excellent, and stretched dramatically by this play. Loved the music, and projections, both of which enhanced the experience.
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
