Difference between revisions of "The Bald Prima Donna (2022)"
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*Props - [[Bryon Fear]] & [[Kay George]] | *Props - [[Bryon Fear]] & [[Kay George]] | ||
*Radio - [[Chris Stooke]] | *Radio - [[Chris Stooke]] | ||
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| + | ==Thanks== | ||
| + | Thank you to Irvin and Catherine Rubincam for their clock recordings, Mark Ireson for letting us invade his lift, Bex Law for facilitating our rehearsal needs, Jess Osorio, Kim Goldsmith, the cast of Iron, the bar staff for keeping us watered and Ionesco's ghost which now inhabits that painting on set | ||
== Reviews == | == Reviews == | ||
Some review quotes go here | Some review quotes go here | ||
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== Gallery == | == Gallery == | ||
Revision as of 13:47, 23 April 2022
Performances: Tue 19th – Sat 23rd April 2022, Old Fire Station
Contents
Introduction
Set in the 1950's. In the words of a band I once heard talking about a riff "if you can follow this you can plat sawdust!!" In the words of the director "Ionesco rejects traditional story structure and instead builds structure upon language, from rhythms and sounds and repetition. Words dominate the characters, either by suffocating them or propelling them inexorably forward."
Cast
- Mr Smith - Owen Chidlaw
- Mrs Smith - Ingrid Miller
- Mr Martin - Andy Barrett
- Mrs Martin - Audrey Lindsay
- Mary, the maid - Anna Rubincam
- The Captain of the Fire Brigade - Bryon Fear
Crew
- Stage Manager - Kay George
- Set & Lighting Designer - Chaz Doyle
- Operator - Olly Adkin
- Rigging - Sean Thomas
- Set Construction - Mark Ireson, Barry Heselden, Hans Mudlamootoo, Jess Osorio and the cast & crew
- Props - Bryon Fear & Kay George
- Radio - Chris Stooke
Thanks
Thank you to Irvin and Catherine Rubincam for their clock recordings, Mark Ireson for letting us invade his lift, Bex Law for facilitating our rehearsal needs, Jess Osorio, Kim Goldsmith, the cast of Iron, the bar staff for keeping us watered and Ionesco's ghost which now inhabits that painting on set
Reviews
Some review quotes go here
Gallery
- Photos by Phil Gammon
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
