Difference between revisions of "Delia Taitt"
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* Peter in 'Performance' in [[Mixed Doubles (1974)|Mixed Doubles]] ([[1974]]) ([[Bell Theatre|Main Stage]]) | * Peter in 'Performance' in [[Mixed Doubles (1974)|Mixed Doubles]] ([[1974]]) ([[Bell Theatre|Main Stage]]) | ||
* Mad Person in [[The Changeling (1974)|The Changeling]] ([[1974]]) ([[Bell Theatre|Main Stage]]) | * Mad Person in [[The Changeling (1974)|The Changeling]] ([[1974]]) ([[Bell Theatre|Main Stage]]) | ||
| + | * Madrecita in [[Camino Real (1974)|Camino Real]] ([[1974]]) ([[Bell Theatre|Main Stage]]) | ||
* Miss Prism in [[The Importance of Being Earnest (1976)|The Importance of Being Earnest]] ([[1976]]) ([[Bell Theatre|Main Stage]]) | * Miss Prism in [[The Importance of Being Earnest (1976)|The Importance of Being Earnest]] ([[1976]]) ([[Bell Theatre|Main Stage]]) | ||
* In [[The Importance of Being Coarse (1976)|The Importance of Being Coarse]] ([[1976]]) ([[Prompt Corner]]) | * In [[The Importance of Being Coarse (1976)|The Importance of Being Coarse]] ([[1976]]) ([[Prompt Corner]]) | ||
Latest revision as of 18:16, 31 March 2024
SLTC Member 1972 - 1986
Acting Roles
- Ensemble in Under Milk Wood (1972) (Main Stage)
- Miss Gilchrist in The Hostage (1972) (Main Stage)
- Gwendoline in The Odd Couple (1973) (Main Stage)
- Peter in 'Performance' in Mixed Doubles (1974) (Main Stage)
- Mad Person in The Changeling (1974) (Main Stage)
- Madrecita in Camino Real (1974) (Main Stage)
- Miss Prism in The Importance of Being Earnest (1976) (Main Stage)
- In The Importance of Being Coarse (1976) (Prompt Corner)
- Chorus in The Bacchae (1978) (Main Stage)
- Mrs Watson-Courtneidge in I am a Camera (1979) (Main Stage)
- Jenifer in The Homecoming (1982) (Prompt Corner)
- Mlle Ondine de Chateau Lepompe in An Italian Straw Hat (1982) (Bell Theatre)
- Hymn Leader in Moby Dick (1983) (Bell Theatre)
- Dora Strang in Equus (1984) (Bell Theatre)
- Mrs Frank in The Diary of Anne Frank (1986) (Bell Theatre)
Productions as Director's PA
