Difference between revisions of "Conduct Unbecoming (1977)"
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*Mrs Bandanai - [[Ashwini Bhandari]] | *Mrs Bandanai - [[Ashwini Bhandari]] | ||
*Lal - [[Sheryl Rodrigues|Cheryl Rodrigues]] | *Lal - [[Sheryl Rodrigues|Cheryl Rodrigues]] | ||
| − | *Ladies at the Ball - [[Ann Shuttleworth]], [[Angela Huveneers]] & [[Sue Norman]] | + | *Ladies at the Ball - [[Ann Shuttleworth]], [[Angela Huveness|Angela Huveneers]] & [[Sue Norman]] |
*Waiters - [[Bernard Witt]] & [[Peter Semple]] | *Waiters - [[Bernard Witt]] & [[Peter Semple]] | ||
Latest revision as of 14:58, 1 April 2024
Designed & Directed by John Woodrooffe
Performances: Sun 3rd – Sat 9th April 1977, Main Stage
Contents
Introduction
Honour and respect for tradition: two prime requirements for an officer in Victoria's army. Set in India at the end of the last century, the play shows a young subaltern charged with assault. As investigation of the case proceeds, we see that instead it is the regiment that is on trial for conduct.
Cast
- Millington - Justin Llewelyn
- Drake - Stuart Faulkner
- The Colonel - Charles Cheetham
- Roach - Edwin Stone
- Wimbourne - Peter Dawson
- The Doctor - Leslie Lidyard
- The adjutant - James Prestridge
- Fothergill - Michael Mawby
- Hart - Robin Saxon
- Truly - William Curd
- Boutlon - Howard James
- Winters - Geoff Lill
- Pradah Singh - Ken Lucas
- Head Waiter - Don North
- Mrs Hasseltine - Ann Mattey
- Mem Strang - Frances Walker
- Mrs Bandanai - Ashwini Bhandari
- Lal - Cheryl Rodrigues
- Ladies at the Ball - Ann Shuttleworth, Angela Huveneers & Sue Norman
- Waiters - Bernard Witt & Peter Semple
Crew
- Stage Manager - John Cooke
- Assistant Stage Managers - Sally Davis, Sheila Rees, Jack Fitzgerald
- Lighting - Joyce Thompson, Dillon
- Sound Operation - Jane Cooper
- Properties - Pat Cantwell, Charles Nicholls
- Wardrobe - Iris Lenny
- Set Construction - The Company
- PA - Sue Norman
- Indian Dialogue Coach - Kiran Kumar
- Officers Uniforms - Watkins et Cie, Newcastle, Staffordshire
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
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