Aladdin (2007)

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by Stuart Draper

Directed by Stuart Draper

Performances: Mon 3rd – Sun 16th December 2007, Bell Theatre


Introduction

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Cast

Please note that this production is currently in preparation - the following character descriptions are taken from the audition notice<ref>Main SLT website</ref>
  • Alan Laddin, father to Aladdin (M) Small role, but lots of pathos. Will double as chorus member throughout.
  • Aladdin/Arthur (15/16 playing age) (M) Principal character, typical school boy, falls in love with a princess, becomes the richest man in the world and brings back the dead.
  • Arthur's Mum (F) (Small role, good singing voice, appears throughout singing)
  • Widow Twankey (M/F) The DAME!
  • Jiminy Picket, a policeman (M/F) Comedy duo
  • Bob Scratchit, another policeman. (M/F) Other half of comedy duo
  • The Slave of the Ring (F) - A beautiful Genie, must have good singing voice. She is in love with Rum Baba, the Genie of the Lamp.
  • The Evil Vizier Abanazer (M) A baddie part to play with relish!
  • The Lord High Eminent Emperor, Ruler of All China, The Seven Seas and Much of the Conurbation of the West Midlands (M)
  • The Lady High Even-more Eminent Empress, Ruler of all the above and More (M/F)
  • Princess Jasmine (F) Playing age 16, NOT your typical principal girl, falls in love with Aladdin/Arthur and shows him her prowess with her katana. Think Lara Croft.
  • Rum Baba, Genie of the Lamp (M) Lots of fun in this role for comic actor who can sing.
  • Char Siu, A Slave Girl (15/16) (F)
  • Wishee Washee, Errant Son to Widow Twankey (M) The comedy foil to Aladdin and Twankey. The Buttons/Tickles part.
  • Chop Suey, Lord High Executioner (M/F). Evil, fawning servant to Abanazer. Think Wormtongue.
  • Rick Shaw, a street urchin (Playing age 16) (M)
  • Ping Pong (A herald) M/F

Designers

Crew

Reviews

Some review quotes go here


Gallery

Photo thumbnails go here with links to larger images.

Reminiscences and Anecdotes

  • All the music is from the Eurovision song contest through the years

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Have there been other SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

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External Links