Twelfth Night (2022)
Performances: Tuesday 28 June – Saturday 2 July 2022 and Saturday matinee, Old Fire Station
Contents
Introduction
Twins Viola and Sebastian arrive separately in Illyria after a shipwreck. Both believe the other dead. Viola (disguised as a man) finds work serving Orsino, a wealthy count, who obsessively loves Olivia, a grief-stricken countess, who refuses his advances. Viola woos Olivia, on Orsino’s behalf, but Olivia falls in love with Viola. Viola, meanwhile, falls in love with Orsino, who believes her to be male. Her twin brother Sebastian is saved by a sea captain Antonio, and they form a bond of love and friendship. Confused? So are they. Great comedy is created from mistaken gender identity, sub plots and cruel, drunken antics, as the play lifts to farcical heights.
Cast
- Duke Orsino – David Hepburn
- Curio / Musician – Roshana Langdon
- Valentine / Musician – Tania Pais
- Sea Captain / Priest / Officer – Mark Vinson
- Viola – Maddie Dunn
- Sebastian – Jamie Bowman
- Antonio – Benjamin Hooper
- Countess Olivia – Laarni Cornista-Hollebon
- Maria – Celia Delaney
- Malvolio – Martin Copland-Gray
- Sir Toby Belch – Paul White
- Sir Andrew Aguecheek – Rob Wallis
- Fabian – Roda Asha Aden
- Feste – Audrey Lindsay
- Officer - Dan Brooks
Crew
- Assistant Director - Roshana Langdon
- Stage Manager - Lorna Felix
- Assistant Stage Manager - Dan Brooks
- Sound and Lighting Operators - Noah Wright and Sarah Farage
- Lighting Designer - John Brown
- Set Design - Janine Wunsche and John Winters
- Song Compositions - Matt Davies and Roshana Langdon
- Singing Coach - Alan Walker
- Rigging - Sean Thomas
- Set Construction and Scenography - John Winters, Janine Wunsche, Dan Brooks, Mark Ireson, Dilek O'Keeffe, Roshana Langdon and Chris Langdon
- Props Maker - Dan Brooks
- Scenery Painting - Dilek O'Keeffe, Kirstie Mokk, Janine Wunsche, John Winters and Dan Brooks
- Administration - Dilek O'Keeffe
- Production Photography - Phil Gammon
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
