Gareth Barker
From sltarchive
SLT Member 1989 - present
Contents
Productions as Lighting Designer & Operator
- Happy Families (1991) (Bell Theatre)
- Waiting for Godot (1992) (Bell Theatre)
- The Comedy of Errors (1996) (Bell Theatre) Operating with Keefe Browning
- Anna in the Tropics (2007) (Bell Theatre)
- 'Dentity Crisis/Endgame (2008) (Bell Theatre)
- Skellig (2010) (Prompt Corner)
Lighting on:
- Time to Kill (1990) (Bell Theatre)
- The Taming of the Shrew (1994) (Bell Theatre)
- Talking Heads (1994) (Prompt Corner)
- Uncle Vanya (1995) (Bell Theatre)
- Dancing at Lughnasa (1996) (Bell Theatre)
- Blithe Spirit (1999) (Bell Theatre)
- Two Plays - Friel Meets Chekhov (2005) (Prompt Corner) with Chris Liddle
Productions as Lighting Designer
- Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feeling So Sad (1989) (Bell Theatre)
- Shakers (1990) (Bell Theatre)
- Kaleidoscope '90 (1990) (Bell Theatre)
- There's One in Every Unit (1991) (Bell Theatre)
- Clara's on the Curtains and A Life in the Theatre (1992) (Bell Theatre)
- The Merry Wives of Windsor (1992) (Bell Theatre)
- Betrayal (1993) (Bell Theatre) with Brian Fretwell
- Lear's Daughters (1993) (Bell Theatre) with Keefe Browning
- Nasty Neighbours (1995) (Bell Theatre)
- Someone Who'll Watch Over Me (1997) (Bell Theatre)
- A Midsummer Night's Dream (1997) (Bell Theatre)
- The Killing of Sister George (1997) (Bell Theatre)
- Shadowlands (1998) (Bell Theatre)
- Faith Healer (1998) (Bell Theatre)
- Taking Steps (1999) (Prompt Corner)
- Chapter Two (1999) (Bell Theatre)
- Hard Times (2000) (Bell Theatre)
- Other People's Money (2001) (Bell Theatre)
- Lettice and Lovage (2002) (Bell Theatre)
- Death and the Maiden (2003) (Prompt Corner)
- Under Milk Wood (2004) (Prompt Corner)
- The Parting Glass (2008) (Prompt Corner)
- The Actor's Nightmare & Sister Mary Ignatius Explains It All for You (2010) (Bell Theatre)
Set Construction
Reviews
- Gareth did the lighting design for Endgame in 2008, and created an amazing atmosphere and visual feast of greys, which truly enhanced the play.
Some years ago, he designed the lighting for Ron Sales' production of Waiting for Godot, both here and in Ireland, complete with a memorable moon, and effects skilfully adapted for a variety of venues.
In my opinion, Gareth is the most talented and creative lighting designer that we have, (among many other talented people), and should be treasured. Once seen, his designs are not forgotten. I'm looking forward to seeing his work on The Actor's Nightmare.<ref>http://www.southlondontheatre.co.uk/phpBB/viewtopic.php?mode=viewtopic&topic=10795&forum=2&start=30</ref>
- his lighting really works hard and enhances every scene.
It is the sixth actor on the stage
- Woweee- the lighting looks particularly stunning in The Actor's Nightmare
