Private Lives (2006)
by Noël Coward
Directed by Kat Moody
Performances: Tue 3rd – Sat 7th October 2006, Bell Theatre
Contents
Introduction
Set in Deauville and Paris, 1930, Private Lives is Noël Coward's 20th century comedy masterpiece looking at the impossible relationship of Elyot and Amanda who seem unable to live with, or without each other and the effects this has on their respective new spouses. This is comedy to get your teeth into - some of the funniest lines and most famous characters in the English language, but with a cynical world view and dark passion underneath.
Cast
- Elyot - Nick Mansley
- Amanda - Minna Pang
- Victor - Dave Chaisty
- Sibyl - Charlotte Vaight
- Louise - Lisa Kalker
Crew
- Production Assistant - Emma Wilson
- Stage Manager - Jess Osorio
- Assistant Stage Managers - Michelle Thomson & Chaz Doyle
- Set Designer - Chaz Doyle
- Set Construction - Cast and Crew
- Lighting Design - Chris Liddle
- Lighting Operator - Jill Fenton
- Sound - Andrew Rickinson
- Fight director - Anton Krause
- Choreography - Anna York
- Costumes - Cast and Crew
- Props - Alan Buckman
- Continuity - Cecile Rault
The Director, cast and crew would like to extend their thanks to the following people for their help and support throughout: Caroline Doyle, Michelle Thomson, Maria Bates, Anton Krause, Heather French, Jack King, Simon Holland, Mike Elliott, Dave Hollander and the cast and crew of Cloud Nine, Mark Davies and the House of Usher team, Dee Fancett, Kevin Monk, Floral Hall, Simon Moody, Jane Jones of the Dulwich Players and the Wesley Players.
Reviews
Some review quotes go here
Gallery
Nick Mansley and Minna Pang.
(Photos Mark Davies)
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
